Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Richey V

Flug

Traversing the winding passages of his own cavernous capabilities, prolific Italian DJ, producer and label owner Frankyeffe – real name Francesco Fava – is well on his way to reaching the peak of his towering potential. Since his career’s 2001 inception, he’s wandered some of the darkest corners of melodic techno, injecting innovation and amplitude and gradually cementing himself as a true master within his own class.
Initially rising to prominence behind the decks of Rome’s renowned Rashomon Club, for three consecutive seasons, the venue’s intimate interior provided a vast canvas for Frankyeffe to draw upon. Soon sparking the interests of a wider audience, he’s since reached international recognition playing at various Mutate events in Naples, the Audio Club in Geneva, Germany’s Audiogate festival in 2017 and a monster slot on the Pryda stage at 2018’s instalment of Tomorrowland in Belgium. Stretching his reach further to high profile gigs in the UK, Holland, Portugal, Spain, Columbia and China his music is fast becoming a global force to be reckoned with.  
Helping to inspire other artist’s talent and creativity, Frankyeffe’s fierce DIY ethos is embodied by his own Riot Recordings label where he’s simultaneously put out a number of his own releases including his name making 2015 debut album, Trenta along with a handful of other flourishing and deserved artists – Teenage Mutants, Maksim Dark, Heerhorst and Spartaque to name a few. He’s worked alongside the likes of Enrico Sangiuliano – winner of ‘Best Producer’ at the 2019 DJ Awards – as well as been featured on established imprints that span Noir, Kraftek, We Are The Brave, Senso Sounds and Terminal M. 
With an exciting schedule already underway, Frankyeffe has a busy year ahead with a string of tour dates and releases on Senso Sounds and his own Riot Recordings ready to drop in early 2020. Well set on the highroad to stardom, 2020 will be a crucial year for this buzzing techno talent. 

Frankyeffe

Rudosa

Sisko Electrofanatik

Tony Romanello

Childov

DEAS (Karol Mozgawa), based in Cracow/Poland, born in Greece is a music producer and DJ, who is fast becoming one of Techno’s most exciting breakthrough artists originating from Eastern Europe. One can recognize his Greek origins and East European upbringing in his music, where enthusiasm and fantasy blends in varying shades of Techno. He believes that music “is never a subject to stereotypes and clichés”. This allows him to think freely and create music without boundaries, in which psychedelics and raw, heavy Techno is balanced to perfection with memorable, warm but yet deep melodies. Not yet 30, he has been mastering his production skills for a decade. During this time he developed an impressive studio where most of his music is recorded live. His hard work is presently coming into a full effect with the releases of a number of labels ranging from Platent Rhythm, through Materia, to Quartz Records. Deas productions received great feedback and are strongly endorsed by Len Faki, Marcel Dettmann, Rodhad Alex. Do, Marcel Fengler to name just a few. His music is also featured and supported by such music magazines as Mixmag, Dj Mag, Decoded Magazine, Datatransmission and so on. It is not that often you see such broadly developed artist, like Deas, who is equally skilled in the production studio and behind the decks.

Deas

Drumsauw has made a prolific rise in a short amount of time in the techno world.  Only forming in late 2017, the English production wunderkind also known as Joseph Sutherland, donned his very driving studio mindset and high quality production finesse and produced many an original track.  It didn't take long before some international recognition followed, with massive support from some global major league techno artists.

No stranger to the world of production and DJing, Joseph started his musical journey over a decade ago, producing Hard Dance under his alias Side E-Fect.   A prominent feature in his productions would be a massive kick drum and techno influenced production, which would translate well when he decided to form Drumsauw.

Drumsauw

Frank Biazzi is a techno dj and producer.

He gradually became a respected dj and a well known name in the techno scene.

He has released huge techno productions which have been charted and played by a lot of key producers. Right from the first track “Turbulence”, which was released by Lupp records.

Carl Cox, Dave Clarke, Monika Kruse, Tim Taylor, Christian Smith, Marco Bailey, Dj Rush,... they all put “Turbulence” in their top 10 playlist.

Beginning 2013, Frank Biazzi started his own label "Trauma records".

This imprint which focuses on the same hypnotic and energetic techno that you'll find in his dj sets.

A Stalwart of Belgium’s techno scene, Frank is a regular booking at many of the country’s clubs and festivals, and often plays gigs in other parts of Europe.

He has also featured music on various international respected labels such like Tronic, Intec, Kombination Research, Matter +, Driving Forces, Transmit, MB Elektronics,.... and has remixed tracks by the likes of Ken Ishii, Torsten Kanzler and Mauro Picotto.  His tracks are often supported by other club spinners such as Chris Liebing, Sam Paganini and Adam Beyer.

Frank Biazzi is without doubt one of the most qualitative exports of the very rich Belgian techno scene. His name is synonym to Belgian techno by being important part of the greatest achievements of his country's techno industry

Richey V

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