Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Malte Seddig

Within more than a decade now the collaborating production force named Luna City Express, derived and developed from the influences and musical upbringings of Norman Weber and Marco Resmann has turned into a consistent land- and trademark in the electronic music scene in terms of releases, remixes and remarkable DJ sets all over the place.

Ever since their debut single „Fresh“ skyrocketed off as one of the main club hits of 2005, Luna City Express have laid down a blueprint of modern, contemporary House Music on labels like 20/20 Vision, Lapsus Music, Exploited and Moon Harbour. A certain highlight has been their track “Mr Jack” which they released on their debut album “Hello from Planet Earth”. It received worldwide support from multiple house music heavy weights and ten years later, it still finds its way to the dance floors. Whilst their initial work was praised for showcasing a vast musical expertise in a long play format, Luna City Express continually gained momentum on dance floors worldwide due to largely successful collaborations released in the following years, with the likes of Roland Clark and Robert Owens.

Luna City Express

M.in

Adam Curtain

DJ/producer Gunnar Stiller has seen Berlin transform considerably over the last couple of decades, soaking in influence as well as helping shape its development as a musical force, becoming a fixture of the city’s scene along the way.
Whether playing in clubs around the world such as Berghain/Panorama Bar and Watergate or Sisyphos and Ritter Butzke in Berlin, Hive Club Zurich, Baum in Bogotá and Glow Bangkok or producing his own tracks for respected labels like Upon.You Records, Smiley Fingers, Voltage Musique and Ballroom Records, Stiller’s technique is deep in character, an outward-reaching combination of techno and techhouse with his trademark funk-tinged basslines.

Born in the sunny seaside town of Rostock, Germany, Gunnar Stiller found a change of scenery when his family moved back to Berlin in the early 80s. Moving to such a beautifully chaotic, adventurous city was a key factor in shaping his musical perspective, and with the purchase of his well loved (and now worn out) turntables in the late 90s, he took his first step into a professional artistic career as DJ and producer.

In 2003 while working as manager for Berlin-based event agency No Ufos, Gunnar found himself in the heart of a perfect playground to gain insight and develop his own style, which at the time was focused on deep house, breaks and electro. Inspired by those around him such as Steve Bug, Matthias Tanzmann and Martin Landsky, Stiller quickly began to carve out his own sound that impressed not just the dancers filling the floor but also any promoter and organizer who was paying attention.

Pushing himself toward further success, he founded the artist alliance Edelmut in 2004 along with a few of his friends, an endeavor which quickly gained them notoriety as they played in the city’s top clubs like Watergate, Bar25 and later the infamous KaterHolzig , the latter of which invited Gunnar to become a resident DJ, a position he gladly accepted. On top of this, he became a regular player at the legendary HomeSweetHome sessions. His frequent and often lengthy sets (sometimes in excess of 10 hours) allowed him to explore the boundaries between (and beyond) techno and techhouse, creating a dramatic musical landscape that sets him apart from countless other DJs.

By 2009 Stiller had formed a solid intuition for exactly what moved listeners’ bodies (and spirits) and began his foray into production. His debut release, the Heideberg EP, and its followup the Manaus Madness EP – both on Voltage Musique – landed directly within the Top 5 German club charts, and Marek Hemmann’s remix of “Manaus Madness” was voted the #10 best remix by dance music authority Groove Magazine’s 2010 readers’ poll. It was around this time that Gunnar joined Upon.You Records as part of their label and booking roster, releasing a lot more EPs and contributing to the acclaimed label compilation Upon.You Diary, which was compiled by himself in 2014. These where followed by collaborations and remix projects with artists like Solomun, AndHim, Layo & Bushwacka!, Alex Niggemann, Danny Serrano, Ray Okpara, Nikola Gala, Larry Cadge, Odd People, Samuel Dan, Nakadia, Dj Le Roi or Loko and more released tracks on labels like Clap Your Hands, Smiley Fingers and Time Has Changed. 
	
Meanwhile, Gunnar Stiller’s DJ career picked up exponentially as he established a name for himself outside his native Berlin borders. In the last few years, he has been booked to play at top festivals such as Sonar Festival, Amsterdam Dance Event, Melt! Festival, Fusion Festival and Sonnemondsterne, in clubs throughout Eastern and Western Europe as well as South America, Asia, Australia and Africa, sharing the booth with the likes of Richie Hawtin, Ricardo Villalobos, Carl Craig, Laurent Garnier and Luciano. If you want to know where the global electronic dance scene is headed next, keep your eyes and ears on Gunnar Stiller…

Malte Seddig

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