Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Woodes

DOOLIE

From 2009 on, Rampa made a name of himself through Keinemusik, his own little d.i.y.-cosmos, being not only label, but also crew of likeminded DJs, producers and friends. The teamwork within this realm has seen a serious number of productions and collaborations, particularly with fellow producer &ME, not to forget the rest of the bunch, Adam Port, Reznik and Monja.

Besides, he’s got an array of other collaborations and releases under his belt, put out on imprints like Circoloco, Innervisions, Diynamic, Afterlife, Cocoon, Ninja Tunes / Counter Records, Strictly Rhythm, Kompakt, 2020 Vision, Freerange, Bpitch Control, Defected or Crosstown Rebels.

The events of the last few years have seen Rampa focussing more and more on the production side of things, be it studio time or the inauguration of the TEILE project – his own company to produce and distribute analogue effects, custom built for DJ-purposes. Certainly also an outlet for a slight nerdism, that includes not only studio gear, but instruments in general. When it comes to DJing itself, he is going for a less is more approach these days, choosing bookings and playing more consciously.

Rampa

Pirupa

While the global EDM scene still debates the merits of “pressing play,” techno veteran Marc Houle has been wowing audiences for over a decade with a live performance that is constantly evolving night after night, in city after city, at clubs and festivals worldwide. The skill and effort that goes into creating these truly “live” sets is the result of an entire lifetime dedicated to electronic music and a deep love of the machines that make it. Raised adjacent to Detroit in Windsor, Ontario, in the same fertile music community that spawned his former label boss and mentor Richie Hawtin, Houle’s obsession with electronic sounds goes back to the noise of ’80s video games and vintage synthesizers. And while too many electronic artists use their machines as merely tools of convenience, Houle regards his with a dedication found in few producers. The results have been extraordinary. A decade-long career of seminal records on Hawtin’s Minus imprint and his own Items & Things label that not only helped define the beloved minimal sound of the mid-‘00s (“On It”), but had a laugh at its expense (“Techno Vocals”), before transcending the limits of the sub-genre completely by incorporating industrial, disco and new wave influences (“Undercover”). No wonder Houle’s records have found their way into the crates of DJs far-flung from his typical list of peers. How many producers can create a track as adaptable as “Bay of Figs,” an underground club favorite favored by his close colleague and star techno DJ Magda that also managed to find its way into the hearts of stadium-trance audiences via megastar DJ Tiësto. Ironically, even though DJs of all sorts play Marc’s records, you won’t find Houle delivering a DJ set any time soon. A committed live performer, he arrives at each gig equipped with not only five superb albums worth of material (plus dozens of favorite singles and remixes released under his own name as well as Raid Over Moscow or Run Stop Restore), but this dedicated craftsman carries with him hundreds of excellent unreleased tunes that he can drop at any moment on an enthusiastic crowd. No matter what time or tempo, Marc Houle has exactly the right Marc Houle tunes needed for the nightclub, after party or festival stage. And there seems to be no slowing down for Houle. 2013 sees a slew of releases, starting with a collaboration EP in May with one of techno’s biggest stars, Miss Kittin, followed by another collaboration EP with Items & Things artists Click Box in September. A full-length album in spring 2014 and more remixes and releases on multiple labels will keep us excited as the year goes on.

Marc Houle

RÜFÜS DU SOL

Berlin based DJ and producer Jacob Dilssner aka Wankelmut ranks among the most popular and renowned representatives of electronic music “made in Germany”. Born and raised in East Germany, the 35-year-old made his breakthrough in 2012, when his remix for Asaf Avidans “One Day / Reckoning Song” soared to #1 in eight European countries, resulting in over three million records sold to date as well as a multitude of Gold and Platinum Awards. His single “My Head Is a Jungle”, featuring Australian singer Emma Louise, made it to the Top 20 across Europe, peaking at #5 in the UK charts with Mark Kinchens (MK) Remix in summer 2014. At the same time, Wankelmut started doing remixes and refined tracks by artists such as Dennis Lloyd , Gossip, Lenny Kravitz , Hozier, K.Flayor Flight Facilities. His artistic achievements are topped off by hundreds of DJ bookings per year, allowing him to present his take on electronic music based on House and Techno at clubs and festivals all over the world. Over the last years Wankelmut has collaborated with various vocalists like Björn Dixgard, Charlotte OC or MATTN and subsequently scored 2.6 Mio monthly listeners on Spotify to date. The last two years were filled with great productions and collaborations on labels like Universal / Virgin, Spinnin’ Records, Spinnin’ Deep, Toolroom, Defected, Perfect Havoc, Adue Music and Loud Kult/Universal, never losing sight of his roots in club music.

Woodes

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