Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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MÈMOLE

Vasil Ivanov The Editor is an electronic music artist hailing from Bulgaria. Enter the sonic universe of The Editor, where dark, melodic techno meets raw analog power. Known for creating deep, immersive soundscapes and specializing in analog mixing and mastering, The Editor has carved a distinct niche in the electronic music scene.

In 1999, he signed a contract with the record label Avenew Productions, which led to him composing music for several famous Bulgarian pop music stars over the next few years.

In 2002, The Editor co-wrote the hit song "Kakto Predi," performed by Toni, which became a chart-topping success in Bulgaria. The following year, he released his debut album with his band EDIT, which received critical acclaim and earned a nomination for Club Track of the Year on MMtv.

In 2005, The Editor was selected as one of 10 winners in a composition competition on the popular Bulgarian television program "The Slavi Show." Over the next several years, he continued to release many tracks and singles with his band EDIT, solidifying his reputation as a talented electronic music artist in Bulgaria.

In November 2010, The Editor left EDIT to pursue a solo career under his current artist name. He has since released numerous tracks and remixes on labels such as Insomnia FM, Balloon Records, Nueva, and George V Records. In 2014, he made a remix of Mozart's Opera Queen of the Night, which was featured on Buddha-Bar Classical Chillharmonic.

In 2015, The Editor produced the album "Timelessness" for the famous Bulgarian duo Avenue. He later earned a master's degree in Electronic Music & Sound Design from the prestigious Berklee College of Music, where he now works as a mentor.

In 2019, The Editor's sound design work on AudioKit Pro's synthesizer DIGITAL D1 HYBRID SYNTH earned the synth a spot in the Top 3 iOS Music Apps of 2018 Music Radar Awards. He also created sound packs for Traction's synths BioTek 2 and Subtractive, and was part of a sound design team with Taiho Yamada and Wolfram Franke, creating the factory sound bank for F.'em synth. Additionally, he created a sound bank for Taiho Yamada's synth MINIRAZE by MOK.

The Editor has collaborated with many artists and labels, including  Valentina VoX, Ruth Koleva, Grafa, Poli Genova, Alma, Stenli, Slavi Trifonov, KVZ Music, and Warner Music Poland. His tracks have received widespread airplay on many radio stations and have been played on MTV.

In his most recent venture, The Editor has become the co-founder of Ultra Collective, an innovative electronic music label established in collaboration with KVZ Music Ltd. Ultra Collective focuses on discovering and promoting new talent in electronic music while pushing the boundaries of the genre with fresh and cutting-edge releases.

Through his dedication and passion for electronic music, The Editor has established himself as a prominent figure in the Bulgarian music scene and beyond.

Other Projects by The Editor: Shanti Chakra Friends, Hatha Yoga, Ultra Collective

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