Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Endless Birth

Nicolas Barnes dj / producer / label owner from Latvia
Started he's jorney in to underground music world 5 years ago
Enjoys playing minimal house vibes with a bit of dub in it
Not so long ago created dub oriented label ECOUL SND
Got releases on such labels like Conceptual Records , MixCult , Simple Things Records and others...

Nicolas Barnes

Aeikus is an electronic music project developed by Brazilian artist Athos Araujo. With over a decade of experience as a music producer, Athos delivers a refined and robust sound that maintains his distinct artistic identity. His musical influences range from classic house to contemporary techno, reflecting a broad and sophisticated approach to electronic music.

Aeikus

Paul Yoon was born in 1980 in Seoul, South Korea. moved to Los Angeles in 1997 to study abroad and attend high school. He was inspired by the music of Drum'n bass, Trance, and House at the RAVE clubs around LA and started making music in his bedroom. In 2000, he returned to Korea and worked as a producer of progressive trance, tribal house, and electronic music in the underground scene. At the time, there were very few people doing electronic music in Korea, so he was a pioneer. For his commercial career, he worked as a major K-Pop producer and in the commercial music industry. In a unique career move, he served as the executive music director for the opening ceremony of F1 2010 KOREA, the first race to be held in Korea in 2010. He also submitted music to gaming companies for 16 years and has had numerous hits and has many fans in East Asia and South America. He has the same way of life since he started music 26 years ago: “I make money from popular music to make art”. His name, Deepdrome, reflects the rough and tumble life story he's been living, which is abstracted in the Dub Techno world. Unlike Paul Bazooka's music, which was full of smiles, Deepdrome's music is serious and shows no teeth. He currently resides in Gwangju, a city full of mountains and water, where he draws a lot of musical inspiration from the natural environment.

Deepdrome

Radio Badjay

Rick started to dj in his early jears and played together with friends for the whole youth in his village at their own organised parties. In the beginning, they spinned CD`s, but with his first salary he bought two turntables and a mixer, so he could start to practice with vinyl. Every week diggin in the recordstores, so his collection grew very fast. Many small gigs later and after building a partylabel with some friends (MINIM), they`ve entered the legal+illegal party scene and also the famous club Dachkantine in zurich. MINIM invited a lot of big names, such as Paul Kalkbrenner, Rob Acid, Gabriel Ananda, Tobi Neumann, Paul Brtschitsch, Matthias Tanzmann, Konrad Black, Tigerskin, Gallopierende Zuversicht, Eli Verveine and many others. After the closing of the Dachkantine the partylabel MINIM splitted up and Rick went for a jear to Barcelona. He came back and started a new job, which allowed him to buy a lot of records, but not to go out on the weekends. So he focused more in production. In 2014 he released his first digital EP on his own label Enara records. In may 2016 he released his first vinyl-only record on Enara ltd. Many digital releases followed and will be coming. Sometimes you can here him djing at smaller parties, still vinyl and rarely some digital tunes.

Endless Birth

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