Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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KiLLOWEN

Scrufizzer

Currently based in Berlin, Yulia Niko rose to prominence on the global circuit via her connection with the highly influential labels, Armada, Crosstown Rebels and Watergate. Since the age of 15 Yulia has dedicated her life to music, moving to New York in her early twenties to study production after spending her adolescence DJing and collecting music. Now a globally recognised artist with a packed touring schedule and impeccable discography, Yulia is preparing to unveil her debut album - an intimate and exploratory project that marks a key milestone in her musical journey…

Ever since she was a teenager, Yulia’s passion for electronic music has been innate and all consuming. After graduating from university she moved to New York to study music production. Today, Yulia travels the globe, performing at a long list of the world’s most prominent and influential clubs and festivals. With each performance she channels her desire to harness the transformative power of music into her sets, leaving dance floors worldwide full of positive energy with her melodic productions that oscillate between house and techno.

Over two decades of commitment to electronic music and its transformative capabilities, Yulia Niko has demonstrated her innate talent for DJing and production. As she shifts into the next chapter of her musical story, Yulia Niko maintains the good humor, grace and humility that got her to the top of her game in the first place…

Yulia Niko

There are producers whose work is immediately associated with success, and whose talent for seeking out new national and international voices is celebrated. In Germany there are only a few such figures in the music industry. Of these, there are even less whose Discography reads like a “Who’s Who” of the music scene. Mousse T. is one of those very few, whose songs “Horny” and “Sex Bomb” have provided a good example of the power harnessed when intuition and precision come together. But who is the person behind these productions which consistently find their way into the charts? Mustafa Gündogdu, alias Mousse T., born in 1966 in Hagen, Germany, describes his success succinctly: “I am a music lover with humour, who gives more than 100% for his love”. This love of music brought him to Hanover in 1990 where he set up his own studio while he was still keyboarder for the band “Fun Key B”. Two years later he gets to know the owner of Peppermint Park Studios and extends the label into dance floor music. At the same time, Mousse T. pursues his ongoing passion for DJing with great enthusiasm. In 1993 he founds, along with the owners of Peppermint Park and his partner Errol Rennalls, the label “Peppermint Jam Records” at a time when Mousse T. is starting to make a name for himself as a DJ on a wider stage. Several productions with international greats such as Ziggy Marley, Mezzoforte and Randy Crawford are the consequence. In 1998 the single “Horny” catapults the name “MOUSSE T.” into the international charts and establishes him as a solo artist. In the same year, further productions for musicians including Michael Jackson cause a sensation and bring him a Grammy nomination as “best re-mixer”. One might be forgiven for thinking that Mousse T. would rest on his laurels after such outstanding success. Quite the contrary: His curiosity for experimenting with new musical variations combined with his outstanding creative ability has driven him on. “Of course I feel very proud when I look at my Discography. But success for me is important mainly as a basis on which my further work as an artist can flourish. Apart from that, success is, of course, a great motivation and source of energy so that I can continue to give “more than 100%”.” This creativity and variation can also be seen in his new album “All Nite Madness”. “As far as my music is concerned I try to implement new ideas, and my love of music doesn’t draw a line at any particular musical style. So I try to mix lots of styles and develop interesting new songs and sounds that way.” These thoughts are also the basis for the choice of artists on the new album, which includes Emma Lanford, Kathleen Chaplin, Roachford and Calvin Lynch. Mousse T’s preference for a mixture of styles is clearly evident: “It is obviously important for me that the singers with whom I work have a fantastic voice, but they also have to have their own unmistakeable style. If, over and above that, they are great people, then we can do business.” The fact that MOUSSE T. values people so highly is shown in his effectiveness when working in a team. Regardless of a person’s stature, whether one of the music greats or an unknown musician, if the chemistry is right the cooperation flourishes through humour and enthusiasm and with the degree of discipline necessary for the implementation of creative ideas. During the frenetic phase of a track’s production, MOUSSE T.’s producer side emerges, as he controls from the background. However, the first hearing of new creations takes place in his closest circle, mostly with partner Errol Rennalls, with whom he also writes songs. “Errol and I normally function as the “idea’s man” and the “hook line man”. I often give a certain key word or topic and Errol fills this initial musical framework with meaning.” This perfect synergy can also be found on “All Nite Madness”. Whether you take the first single of the album “Is It ’Cos I’m Cool?“, the soulful “Monotony“, “Turn Me On“ with Kathleen Chaplin’s crystal clear vocals or “Underground“ on which ex-Stranglers frontman Hugh Cornwell lends his voice – the integrity of the creator’s style is evident on every track. The single „Is It’ Cos I’m Cool?“ has already developed into a huge hit in Germany and emphasises once again the enormous potential of MOUSSE T. songs. The LP, released on 5 April 2004 will captivate music lovers of a wide-range of styles. Mousse T. continues to deliver the goods in 2005. Right on time for the release of the ipod Mousse T. Special Edition in early november he will release his new single “Horny As A Dandy” with a new album following in 2006. After a few selected promo-gigs for his ipod Mousse T. will promote the new releases with a long clubtour throughout Europe.

Mousse T.

Over the last few years, Purple Disco Machine has emerged as one of the leading electronic producers of a generation. With over 650 million streams across his catalogue to date he continues to live up to the hype of #2 Beatport Artist of All Time. 2020 proved to be a stand out year. His single ‘Hypnotized’ has been an anthem the world over, accredited triple platinum in Italy, further gold accreditations across Germany, Poland, Switzerland and Austria, and making #2 European Airplay Chart. 2021 will see the release of his sophomore album which follows on from 2017 debut "Soulmatic". This album spawned the Europe-wide radio hit “Devil In Me” and the global club anthem “Body Funk” a feat he continued with "Dished(Male Stripper)" in 2018. Purple Disco Machine is also one of the most in-demand remixers and has worked with high-profile artists Lady Gaga & Ariana Grande, Calvin Harris, Mark Ronson, Dua Lipa, Royal Blood, Sir Elton John, Foals, RÜFÜS DU SOL, Jax Jones, Gorillaz, Fatboy Slim, Two Door Cinema Club, New Order and Claptone among many others.

Purple Disco Machine

Solomun

Tiger Stripes

Lazarusman

Gerd Janson

Sharam Jey

Born in Ireland and raised in Spain, a rule breaking musician, DJ, visual artist, and label owner, Sian now calls the sprawling, sun-drenched metropolis of Los Angeles his home. He is now infamous for delivering sweat-soaked, hypnotic shows, and prolific music output that burns deep into the collective psyche of club culture. His vibrant sound has taken him around the globe, demonstrating unmistakable energy, to packed dance-floors worldwide. A unique aesthetic and visionary approach have attracted several exciting collaborations, including the unstoppable partnership with Sacha Robotti as Third Culture, which instantly hit the top of the charts on Maceo Plex’s Lone Romantic label, and Solomun’s Diynamic imprint. Sian also teamed up with Autograf and Burko, for their sublime collaboration on Armada Records. Sian’s otherworldly slant on music is consistently garnering praise from the likes of Billboard, Mixmag, Dancing Astronaut, Forbes, DJ Mag, LA Weekly, Huffington Post, and more. With his laser focused, dark, sultry music, plus remixes for the likes of Jan Blomquist, Hi-Lo / Oliver Heldens, and Deadmau5, have cemented his unique niche between the underground and the mainstream.

KiLLOWEN

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