Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Adam Craft

Rico Puestel

Mark Broom's Upcoming Gigs
Sun 22 Nov, 20
10 Years of Natural Selection (pt. 1) - FOLD (Live Stream) w/ The Advent, The Fear Ratio, 96 Back & more, FOLD, London E16 4SA, England

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A truly prolific artist, Mark Broom has a myriad of production credits to his name having worked with world renowned labels such as Blueprint Records, Rekids, M-plant, EPM, Cocoon, Bpitch Control, Warp Records and the legendary Ifach with Baby Ford.

It all started in the summer of ‘89 when he landed in Tenerife on vacation and stumbled across the delights of the emerging sounds of Chicago and Acid House. Returning to the UK, he immediately went in search of this new found music, a pair of turntables were bought and with it a musical career was born. He has also had the pleasure of reworking material from artists such as Robert Hood, Floorplan, Alan Fitzpatrick and Gary Beck.

Mark Broom

Enrico Sangiuliano is a Producer, Performer and Sound Designer born in Reggio Emilia, Italy.
Enrico Sangiuliano is a name you will have no doubt noted if you’ve dipped your toe in
Techno waters. Standing as one of contemporary dance music’s most influential talents, the
Emilia native’s impeccable back catalogue represents nothing but timeless No.1 records,
and now only grows to hold more future classics. Aside from his chart-topping studio
endeavours, the melodic pioneer’s lengthy resume of iconic performances have thrilled and
inspired in equal measure, making him one of the most discernibly authentic and balanced
artists on the circuit.

Embarking on his newest exploration in the world of sound design, the production maestro
recently announced the launch of his 10-chapter, transient record label NINETOZERO,
along with its correlative SOLO all-night-long event series. A sonic storyteller with deep and
meaningful narratives at the core of his many opuses, Enrico’s time-limited imprint serves as
an intervention to the notion of perpetual music, opting for an ephemeral concept that
challenges audiences to redefine their listening habits. His corresponding SOLO series gives
new perspective and insight into his sound palette as a DJ, as he extends the NINETOZERO
ethos into an immersive live experience that highlights the evanescent beauty of
contemporary club culture.

Enrico Sangiuliano

Marko Nastic

The combination between worldwide gigs and high class releases on the biggest labels makes Drumcomplex from Germany one of the most requested acts at the moment. With his weekly radio show that he has been doing for 5 years and with changing well known techno acts and his own mixes he reaches a worldwide following. He delivers every week fresh underground techno in all its facets in his radio show. From Emmerich to the world. He runs his own label DCMX where he features his own productions. Drumcomplex is on fire.

Drumcomplex

Temudo

Pfirter

This artist, born in the city of Bad Nauheim in Hessen, which is close to Frankfurt, regards Farley Jack Master Funk's 1986 release 'Love can't turn around' as one of the most important influences in his early career. 'I wanted to make my future audience as happy as this house track made me. I wanted to play this energy and to pass it on to others' remembers Heiko. It was at this point, that it became clear to him that he would become either a DJ, or a musician. He decided to become both.

It started in Hessen

On leaving school, he started an apprenticeship. By day, he worked as an Industry Wholesaler. By night, he mixed countless tapes for friends. These tapes soon became highly desirable Collectors Items and the cost of a genuine Laux tape rocketed.

In the mid 80's, he began his career as a producer with a Casio Keyboard. The presets and patterns were edited and the resulting sounds were passed, via his brother, to the only club in town 'The Soccer Club.' At the end of the 80's the young Laux was a frequent guest in the new club 'Omen' in Frankfurt. 'Omen has been the most influential club for me and from 1989 onwards, I was there several times a month'.

Meanwhile, 35 kilometers away in Bad Nauheim, the studio in his parents' house was filling up with more and more machines and had become a central meeting place for like minded musicians. When his brother opened up a pub, Heiko seized the opportunity to move the studio. Although the space moved, the idea: 'to find a new way and an own sound in this new musical movement', remained. Anthony Rother, Johannes Heil, Patrick Lindsey – who became the first league of the Kanzleramt artists - were regular guests in what was soon to become the legendary pub 'Kanzleramt'. While honing his DJ skills, Heiko discovered his love for the work of Jeff Mills and the idea to develop a label. In 1994 the label he founded was named Kanzleramt.

Numerous publications followed and Heiko became known as 'The Hessen Techno Tiger'. Soon, Sven Väth from Omen, the club that was so hot it had guttering mounted for the sweat, signed Laux. It was here that Heiko played his first live gig. He remembers 'my set was to be one hour long. But, I was so excited that after just 30 minutes I was through and for the rest of the evening I had to improvise.'

In 1996, Heiko met a young producer named Christian Morgenstern. He was so impressed with his sound that he released Morgenstern's debut album on the Kanzleramt label. It was around this time when Heiko was offered the prime time slot as resident DJ, at Omen. His reputation as a 'Concrete Techno DJ' was growing. More personal success came in 1998, when he released his own debut album 'Liquidism' on Kanzleramt.

Berlin

At the end of 1999 Kanzleramt moved to Kreuzberg, in Germany's Capital city of Berlin. Despite a long phase of becoming established, Heiko was able to replicate his previous success. The so called 'Next Generation' comprised: DJ Slip, Alexander Kowalski and Diego.

Almost simultaneously, alongside his move to Berlin, Heiko released his next album 'Sense Fiction'. To add a further component to his DJ sound, he began working with 3 decks. 'I got the idea with the 3 turntables after seeing Marco Carola in the Palazzo. Eventually, it worked and I managed to keep the three stable. Then, my sound got much deeper.'

After the Europe-wide, 7-year anniversary 'Fully Fledged' tour, Heiko devoted his time to producing the album 'Ornaments', which became one of the most important milestones of his personal development. By the beginning of 2003, Heiko was ready to explore a new musical openness. The collaboration with his studio neighbour Teo Schulte, a Berlin-based Jazz musician and Producer, accelerated this development and the 'Offshore Funk' project was successfully released.

Heiko Laux

Dustin Zahn

Jeroen Search simultaneously is one of techno’s most influential producers and well-kept public secrets. Consistently putting out quality music since the mid nineties on among many others his own genre-shaping Search imprint, he still resides where he has been for many years now; the absolute cutting edge.Named by many as a source of inspiration, Jeroen Search embodies a clear and honest interpretation of techno. His tracks, while audibly open to new and exciting musical influences, always remain true to that typical, inimitable Search-sound. He has seen little to no need to completely reinvent himself at any stage as most, if not all, of his work communicates itself with great ease due to its truly timeless nature.Starting out in 1993 under the DJ Groovehead alias with one of the first releases on X-Trax Records, Jeroen has so far put out his music on many respected labels such as Figure SPC, M_Rec LTD, Traut, Coincidence Records, and A&S, the latter he co-owns with friend and colleague Dimi Angélis. One of his personal highlights has been the ability to do two releases on Jeff Mills’ Axis/6277 label, one solo (New Reality EP) and one as Counterpart (The Martian Mystique).Jeroen’s approach to music production is an unorthodox one; he records all his tracks in a single take and does all his editing live. Constantly pushing his creativity by trying to get the most out of a minimal setup Jeroen remains active in the studio and he now has new releases lined up on Sect, Affin and Gynoid Audio.Jeroen Search live, which he debuted at Berghain in 2009, is more than just an excellent showcase of his work. It’s a journey through the vast landscape of techno, with an expert storyteller at the helm. When booked for a DJ-set, Jeroen always aims to show a unique and alternate side of himself as an artist; bringing along some gems that other DJ’s may have overlooked or under appreciated, a Search DJ-set is bound to be something special.

Adam Craft

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