Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Saïna

Serial Killaz

Disorder_AT

Mad Sam

Deekline is that rare figure in dance music, the seminal producer who balances the cutting edge and the mainstream with effortless flair. Boss man chief of the Hot Cakes/Jungle Cakes collective of producers, promoters and DJs, this bonafide bass music icon is currently experiencing a new lease of life as a legendary figure to a new generation of jungle, bass and garage artists.

Tracks such as Got to Believe, Deepa and jungle anthem Good to Have the Feelin, with the legendary Tippa Irie, have picked up play and support from DJs such as MistaJam and Annie Mac, on Radio 1 and 1Xtra.  His collaboration with General Levy and Ed Solo,  Have Some Fun, was also a massive hit on the airwaves.

In the studio, Deekline is a bonafide musical shapeshifter, his impressive diversity having seen him rework the likes of Armand Van Helden, Old Dirty Bastard and The Prodigy. His landmark, chart-topping Welcome to the Jungle mix series on Jungle Cakes has just reached its eighth volume, and upcoming projects include a new artist album alongside Specimen A, plus a big hand in the forthcoming Jungle Cakes x Trojan Records remix project.

Deekline

Jasmine Knight

Crucial cogs in the development of UK dance music, the Destouche brothers (Trevor and David, aka Flinty Badman and Deman Rocker) cut their teeth as MCs on North London's Unity reggae sound system, eventually adopting the name Ragga Twins in 1989. Throughout the early 90s they released a steady stream of killer and highly influential singles such as "Ragga Trip", "Hooligan 69" and "Spliffhead" - all fiercely energetic mutations of reggae, dancehall, hip-hop and breakbeats which found a home in the emergent rave scene of the time.

The seminal "Reggae Owes Me Money" album, produced by PJ & Smiley (aka Shut Up & Dance) and its musical blueprint of basslines, breakbeats and ragga vocals helped define the blueprint for Jungle music in the years to come. 1995s follow up album "Rinsin Lyrics" took a more laid back approach, delving into their love of dub, hip hop and jazz (produced by Us3's Geoff Wilkinson).

They continue to release new music, collaborating with new waves of producers across the bass music spectrum such as Skrillex, Sammy Virji, Mark Pritchard, Charlotte Devaney and Wrongtom as well as a recent feature with James Blake ("Big Hammer"). You can find them on the road every weekend blowing away their army of fans and always winning new ones along the way.

2023 sees the release of a new Ragga Twins album on NICE UP! Records.

“Before dubstep and grime there was drum ‘n’ bass, before that there was jungle and before that The Ragga Twins." - The Guardian

Saïna

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