Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Alexkid Remix

Australian born producer & spinstress Monika Ross is an artist who constantly raises her head above the barrier. Miss Ross rolls with a certain swagger both behind the booth and in the studio. A trailblazer fusing minimal/breaks/house and garage she constantly pushes the boundary in all things beat orientated. Her ability to stimulate a crowd along with her enviable record collection make Miss Ross a much sought after artist. Currently pressing her wax imprint Koochy Koo and co-founding the NostyCutz alias, she evades easy categorisation.

Monika Ross

Boris Brejcha was born in Ludwigshafen (Germany) in 1981 and already had to experience some strokes of fate in his childhood. At the age of six, he was seriously injured in the Ramstein air disaster and spent months in hospital. Today, he still bears extensive scars from the severe burns. Because of teasing from classmates, Boris withdrew and discovered his interest in music. After a classmate of his brought a "Thunderdome" CD in middle school, he was hooked. He was dying to know how to make this new kind of electronic music. So at the age of twelve, he started producing electronic music himself as a hobby.

He made his first releases in 2006, the same year he had the first performance of his entire career. At the Universo Paralello Festival in Brazil. Since then, his mask is also indispensable. Inspired by the Brazilian Carnival, Boris chose the Joker mask as his trademark. In the international foreign countries his music found fast approval. Numerous gigs, for example South America and Russia, followed. 

Since then, Boris has made a full-time living from music and has continued to develop as an artist. With the specially created genre "High-Tech-Minimal" Boris gave his extraordinary music a name. He went on to release on Autist Records and later on Harthouse. Through the music magazine "Raveline" he was named "exceptional talent 2007".

Boris Brejcha

Jamie Stevens is a man whose reputation precedes him.  The heart and soul of Jamie Stevens' extensive body of work is his desire to deliver an individual experience, as he takes us on an excursion into the human psyche with each of these two masterpieces. If you're after a mature electronic music release that knows how to hit the emotional core hard then you will be in for an absolute treat.

He has just completed a three part emotive breaks trilogy of singles on  the prolific Music To Die For  label that is really resonating with  a wide range of electronic and dance music aficionados.  These singles Stay, Transference and With You have been highly acclaimed by media, influencers and Djs alike.

His next moves are even bigger - there is news coming soon of Jamie's biggest project to date so watch this space...

Jamie Stevens

Cid Inc.

Alexkid is a Paris-born DJ, producer, and sound engineer known for his refined, analog-driven sound. A key figure in the 1990s Paris scene, he released three albums on F Communications and has held a various residencies worldwide. Now based in Berlin, he focuses on studio work and developing music software through his 510k Arts brand, widely used by producers worldwide. While performing less often, he continues shaping electronic music from his analog-packed studio, looking for the prefect beat.

Alexkid

When introducing Somersault, it’s best to let the music do the talking. With chart-topping releases on respected labels like PIV, Audiojack’s Gruuv, and Ben Rau’s META, as well as remixes by legends such as Jimpster, Darius Syrossian, Kreature and Audiojack, Somersault has quickly become a rising force in the global house and UK Garage scenes.

Heavily influenced by jazz-infused house and the shuffling rhythms of 2-Step, Somersault straddles the line between delirious highs and murky lows, with a sound that’s brought his unique sets to some of the most respected outdoor festivals and underground clubs.  In 2025, he launched his own label, Alltalk, as a dedicated home for his eclectic and evolving musical vision.

From his early days as a session guitarist to establishing himself as a distinctive producer, Somersault has developed a groove-focused sound that is both timeless and innovative. His music has earned the support of industry heavyweights like Marco Carola, Archie Hamilton, Stacey Pullen, Prunk, Tobi Neumann, Groove Armada, John Digweed, Felix Da Housecat, Laurent Garnier, Karotte, Roger Sanchez, and Franky Rizardo, to name just a few.

Somersault

Magitman

Klartraum (Lucidflow, Soma, Darkroom Dubs, 100% Pure, Ministry of Sound, Absurd Rec.)Klartraum is German for the stage of lucid dream, when you become aware that you are dreaming and are able to manipulate your surroundings.Driving deep into the subconscious, their music envelopes and surrounds its listeners creating a world in which just like a dream, things are never as they seem. With an aquatic fluidity and warm, wave like pulses, their music gently lulls you into this trance like state, allowing accepted structures to become contorted and morph into something entirely new.Klartraum happens when Nadja Lind (Lucidflow, Darkroom Dubs, Soma, Vitalik) and Helmut Ebritsch (Hatikvah, Soma, Morris Audio, Baalsaal)’ve come together to explore their musical urges. Both as a studio double duo and burgeoning live act they are bringing an entirely unique edge to their performances and output by taking their flowing techno to a deeper, spiritual level.Since finding each other in 2006 through a producer website the Berlin based pair have stamped their unique mark on electronic music, finding favour with some of the world’s top DJs. Klartraum’s ‘Slayin’ The Dragon’ remix for legendary H-Foundation appeared on Soma 20th Anniversary alongside Daft Punk and was immediately charted by Silicone Soul’s Best Of 2011!Out of the studio the duo have taken their sound on the road, performing as Klartraum live at London’s Fabric, the infamous Ukrainian festival Kazantip and Goa’s renowned Shanti club to rave reviews and rapturous response as well as Australia and across Europe.In mid 2011 they unleashed their debut album “Evolution” on their own Lucidflow label as an engrossing recollection of their musical and personal journey so far followed by a remix album where you find formidable artists such as G-Man, Mark Henning, Marek Hemmann, Silicone Soul, Steve Rachmad, Terry Francis and many more. In the studio they free their subconscious through harnessing the immense wealth of knowledge to found in spiritual teachings. The creative processes start with a Ho’oponopono cleansing and Eft Session then with their equipment Midi-synced their sound is crafted through lightening quick jam sessions. The fluidity of their tracks reflects this process where two minds and bodies let their musical ideas evolve and merge together, constantly refining and pushing their own boundaries during this intuitive process.Nadja’s intensely chaotic energy is bound by a natural continuity and progression in her work, resulting in tracks that tease and twist, leading the listener blindfolded through lush instrumentals and challenging soundscapes. This is regimented by Helmut’s skills developed through 20 years in the production game. These natural traits are often blurred as the pair grow as individuals with the teachings learnt through the universal language of music.The two have their own way of creating music, making much of both their spiritual leanings and their hands of approach to ‘jamming’ out tracks live. Whatever it is that drives them it certainly works, for Klartraum are rapidly becoming an act that cannot ignored, making great music and taking it to the world via their passionate live performanceNaming tracks after psychological patterns (Ignorance, Dissociation, Fantasy Bond, Pain Relief), spiritual experiences (All Dimensions, Inner Sky, Beyond Illusion, I Don’t Know) and threading the voices of spiritual teachers and Zen masters through their work, Klartraum seek to bring the compelling wisdom and courage of people like Rudiger and Anette Nehberg, Dr. Steven Wolinsky, Dr. Marc Gafni, Ken Wilber to wider audiences through their art. The duo are truly adding another level of expression to electronic music.

Alexkid Remix

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