Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Momec

Horatio

Celic

Radio Slave

Being considered relatively known on the international scene, Marseille based DJ and producer Matt Sassari has suitably proven his strength in both the studio and behind the decks.
With releases on notable labels such as CR2 / Truesoul / Panterre Musique / Terminal M / Intec / Relief
Matts unique blend of Techno and Tech House made his first top 1 overall beatport chart with 'Put A Record On' in 2019.  
Followed by his newest 'Give it to me' record an official adaptation of Timbaland’s 2007 Hip-Hop classic and US Billboard #1 + #1 UK Singles Chart, featuring Nelly Furtado and Justin Timberlake.
Implementing his effortless live style on stage, Matt’s productions have proven to be popular and resulted in over half million monthly Spotify listeners and taking him across the globe. With continued support from likes of Carl Cox, Adam Beyer, Joseph Capriati, Chris Leibing, Nicole Moudaber. This is just the beginning for Matt Sassari.

Matt Sassari

Stephan Bodzin has been a hugely influential figure within the global techno scene for years. The reason the German has endured where many had fallen by the wayside is because of his devotion to authenticity. “Without it, everything would appear to be..
After starting out by composing music for several prestigious European theaters, Stephan Bodzin soon fell in love with nocturnal club sounds and began producing his own brand of techno. He impressed right from the off and has gone on to work with Marc Romboy many times, including on albums like “Luna” and more recently “Kerberos & Styx” in 2014, and with Oliver Huntemann under myriad aliases including Rekorder. The fruits of these labors have defined the modern techno scene until today.

“Throughout my releases and all my collaborations I managed to let my ideas flow freely and to develop my own style,” Stephan Bodzin explains, and he proved that with 2007’s debut album, “Liebe Ist…” and the many other original productions that have followed, such as 2014’s single ‘Sungam’, which sat at number four on the RA charts, and his massive remix of Super Flu’s “Jo Gurt” in the same year.

Stephan Bodzin productions are driving, hypnotic things with a very real and memorable sense of melody that sticks long in the mind. Of course, running his own Herzblut label has also defined his career since 2006, and as well as being a place for his own work, has also housed refreshing contemporary music from Dominik Eulberg, Max Cooper and Pig&Dan amongst many more.

In the club, meanwhile, Stephan Bodzin is both a story telling DJ who really takes dance floors on a ride through his many musical influences, but is also an impressive live specialist who creates mesmerizing, high impact soundtracks on the fly. Across all continents, there is barely a club or festival in the world worth its salt that he hasn’t headlined at some point or other.

2015 will see this Bremen mastermind release his second full length, “Powers of Ten”, as well as a new single on DJ Tennis’ and Tale of Us’ taste making label Life & Death. The album is another magical piece of work that focuses on melody and rhythm, on fat bass and vivid sound design and is a truly captivating journey through the mind, music, body and soul of one of dance music’s truly modern greats. It is just the latest chapter in what has been an exhilarating musical journey in the capable and creative hands of Stephan Bodzin.

Stephan Bodzin

Wehbba is an emblematic electronic music DJ/Producer from Brazil, having his name featured across the world on respected labels such as Drumcode, Kompakt and Hotflush.

Wehbba

Oscar L

Boris Brejcha was born in Ludwigshafen (Germany) in 1981 and already had to experience some strokes of fate in his childhood. At the age of six, he was seriously injured in the Ramstein air disaster and spent months in hospital. Today, he still bears extensive scars from the severe burns. Because of teasing from classmates, Boris withdrew and discovered his interest in music. After a classmate of his brought a "Thunderdome" CD in middle school, he was hooked. He was dying to know how to make this new kind of electronic music. So at the age of twelve, he started producing electronic music himself as a hobby.

He made his first releases in 2006, the same year he had the first performance of his entire career. At the Universo Paralello Festival in Brazil. Since then, his mask is also indispensable. Inspired by the Brazilian Carnival, Boris chose the Joker mask as his trademark. In the international foreign countries his music found fast approval. Numerous gigs, for example South America and Russia, followed. 

Since then, Boris has made a full-time living from music and has continued to develop as an artist. With the specially created genre "High-Tech-Minimal" Boris gave his extraordinary music a name. He went on to release on Autist Records and later on Harthouse. Through the music magazine "Raveline" he was named "exceptional talent 2007".

Boris Brejcha

DRUNKEN KONG is the project of D. Singh and DJ Kyoko. In 2010, the two started their project when one day, they suddenly decided to make a track together. Since then they have released two albums on Christian Smith's label Tronic, The Signs Within (2017) and Where We Start (2020) as well as numerous EPs and singles on labels such as Octopus Recordings, Stil Vor Talent and Terminal M while they remain active with domestic labels such as Session WOMB. In early 2017, all 7 tracks of their EPs on Tronic and Terminal M entered the top techno charts at the same time, which has made an impact on the Asian and global techno scene.

Since then, their music has been constantly entering top charts. Their music is gaining a lot of attention/support from international top artists and DJs such as Carl Cox, Adam Beyer, Christian Smith, Monika Kruse, Pan-Pot, Umek, Hernan Cattaneo and Deadmau5, just to name a few. Their release “Repeat” from Octopus Recordings reached the Top 10 in the charts, being supported and played by many artists around the globe.

DRUNKEN KONG has always been active in the Tokyo techno scene, playing regularly at major festivals such as Ultra Japan and in clubs such as WOMB, Ageha, Unit, Vent, Contact and Vision Tokyo. The two are constantly attracting new fans with their unique sound and groove. With their powerful DJ style and charisma, the two are able to constantly amuse the audience while expanding their ideas and skills to the next level.

Drunken Kong

Born in a small town near Barcelona, George Privatti begins to experience his first feelings to electronic rhythms at age of 17. Buying a bit later his first decks, and strongly influenced by the environment of the 90s’ illegal raves in the Catalan scene, soon he began to join and to participate in the world of illegal parties of his region.

The success of the catalan artist it does not go unnoticed, soon takes the step to head a list of important “new comers” artists of the national scene, getting to rub shoulders with the best participants of the international scene. 2009 was a crucial moment of his career, deciding to start in the production world, spending days and days in the studio to translate his ideas on his own productions, following the same techy line, alternating fresh and dance elements of the house with the forcefulness and bass lines most typical bass lines of techno. It is precisely during this time when several of the most important labels on the scene were interested in its characteristic sound and begin to edit their music in the main music shops.

With an admirable sound evolution and an dynamism applied to its sets, during 2012 year he decided to create his own label, La Pera Records, a platform to accommodate and express different range of sounds, as well as the productions of established and emerging artists, and focused primarily on the dance floor submerged between sounds close to techno-house with its different and more evolved aspects. The musical adventures of Privatti continue with firm step, with his signing for the family of the emblematic ElRow of Barcelona and his residences and parties around the world, playing in clubs like Privilege Ibiza in 2013, Space Ibiza ( 2014-2016), Amnesia in 2017, Fabrik (Madrid), Florida 135 and performing at festivals such as Tomorrowland, Park Life (Manchester), Monegros Desert Festival, Dreambeach, LoveBox (London), 18Hrs Festival (Amsterdam), Empire Music Festival ( Guatemala), SoulTech (Mexico), Selenic Soul (Mexico), etc., and touring more than 20 countries that have also been faithful witnesses of its quality and versatility in the cabin.

The success of Privatti at the time of locking himself in the studio has not been overlooked within the sector; Elrow Music, 100% Pure, Formatik, 1605, Toolroom, Deeperfect, FORM, have been just some of the laudable ones that have trusted in their productions. Productions that have had a lot to do in the sets and charts of artists of the likes of Richie Hawtin, UMEK, Joris Voorn, Mark Knight, Stefano Noferini, Sebastien Leger.
In 2018 he get to reach the top of the beatport top of all genres with the theme “What a Bam” in collaboration with his great friend Guille Placencia and released on his own label La Pera Records.

Momec

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