Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Richard H Kirk

As DJ Awards’ 2016 Electronic Live Performer, Matador is a revolutionary live artist with a shining reputation for versatility, whilst never compromising on quality. Accolades have been showered on the Dublin-born producer, from proud ambassador of the NEVE 5088 Console, and Richie Hawtin’s PLAYDifferently MODEL1 mixer, his tenure as an ENTER resident at their worldwide events, to his consistent spot in RA’s Live Artist poll, bringing him rapid worldwide acclaim and a devoted worldwide fan base of clubbers and peers alike. Still thirsty for new worlds to conquer, Matador, aka Gavin Lynch, recently took on a new role as label boss for his RUKUS imprint. Matador’s breath-taking explosive live shows result in packed crowds and an equally packed touring schedule including key bookings at top clubs and festivals such as Awakenings, Tomorrowland, Sonus Croatia, Ultra, and Output, DC-10, Space Ibiza, Stereo Montreal. Playing to ecstatic thousands at sold out shows worldwide is a far cry from his early years. Raised on Motown, Matador then grew up with Guns N Roses, Pink Floyd, Orbital, Kasabian… As a teenager inspired by electronic giants Richie Hawtin, Adam Beyer and Jeff Mills, he listened faithfully to the Essential Mix, collecting records and learning to DJ on any pieces of equipment he could afford. His drive to learn more led him to a sound engineering course at Dublin’s Sound Training Centre, with an emphasis on electronic music production, and an obsession was born. ‘Whilst electronic production is my first love, it has been incredibly important to have knowledge of instruments in their purest form both in a studio and in a live environment.’ Along with early interest from Cocoon and Perc Trax, an encounter with Richie Hawtin boosted him from aspiring DJ on the Dublin underground club circuit to a key component of Hawtin’s Minus imprint. His success was assured by his string of successful releases there such as ‘Kingswing’ and his ‘Spooks’ EP, and by his innovative, ever-evolving live shows. His relationship with Hawtin continues to be a fruitful one, having been enlisted as an ambassador for his PLAYDifferently Model 1 analog DJ mixer in 2016. Last year also saw Matador founding his RUKUS label. ‘I’ve always loved the idea of taking my tracks from conception in the studio all the way through to release,’ he says. Initially creating an outlet for his own music, this year he invites exciting new and established talent to the imprint, as he extends his range as label boss. In 2016 he unveiled his newest live show at Loveland (ADE 2016), and he promises to add more new elements into an already complex and acclaimed performance in 2017. Unusually multi-talented outside music, Matador’s many interests and skills have fed back into his DJ career. His early twenties were spent training as a chef to the point of a promising career in Dublin’s Michelin starred restaurants. Following his Dad’s advice of ‘find something you love doing and you’ll never work a day in your life’, he split his time between the kitchen and the decks, before cooking became a much loved hobby and music his life’s work.

Matador

Perc

Pfirter

Max Cooper

Jonas Kopp was born in Buenos Aires, Argentina in 1981.
He has been a producer since he was 19 years old.

Jonas Kopp

Croydon-born producer and DJ James Ruskin is one of the most respected figures in British techno, both for his Blueprint label and his own recordings, which are equally informed by the no-nonsense drive of the Birmingham sound as well as the adventurous sound design of Autechre. Consistently releasing quality material through Blueprint since the label's mid-'90s foundation, he's also issued several full-lengths and EPs through German institution Tresor, including 2001's Into Submission. In addition to releasing collaborations with Surgeon and Oliver Ho, Ruskin has also worked with Regis (Karl O'Connor) as O/V/R, and produced more experimental, IDM-leaning material with Mark Broom as the Fear Ratio.

Point 2
Ruskin began to DJ in 1991, and started producing in 1994, initially with studio partner Richard Polson. First releasing a 12" under the name Void in 1995, the two founded Blueprint in 1996, and started issuing records as Outline, quickly establishing the label's hard, uncompromising techno sound. Ruskin began releasing material under his own name in 1997, and his debut full-length, Further Design, arrived on Blueprint in 1998. Tresor released his next two albums, Point 2 (2000) and Into Submission (2001), and Ruskin continued issuing EPs on Blueprint and Coda. Ruskin and Blueprint went on a brief hiatus in 2006, following Polson's death due to natural causes, but Ruskin returned in 2008, issuing fourth full-length The Dash through Tresor. He formed O/V/R with Sandwell District/Downwards co-founder Karl O'Connor, debuting with Interior in 2009. This was followed by 2010's Post-Traumatic Son; the EP's title track was subsequently remixed by Robert Hood, Marcel Dettmann, and others.

Refuge of a Twisted Soul
Starting in 2010, Ruskin released several techno EPs with Mark Broom, and the two formed a more abstract, fractured project called the Fear Ratio, issuing debut album Light Box in 2011. The pair's second album, Refuge of a Twisted Soul, appeared on Skam in 2015, and Live E.P. surfaced in 2018. After going five years without a solo release, Ruskin returned in 2019 with Reality Broadcast Off (Blueprint) and Siklikal (Tresor). He kicked off 2020 with the Blueprint-issued Consumer Patterns.

James Ruskin

Fhase 87

Exos stands as one of Iceland's most revered techno artists, with a career that stretches

back to the mid-nineties. Over the years, he has released more than thirty vinyl releases

and four albums. His journey began at the age of 17 with his debut EP on Thule Records,

an Icelandic dub techno label known for its unique minimal sound.

Exos is bringing his unique sound to renowned labels such as Figure, Delsin, трип records, BPitch, Mutual Rytm, and Tresor Records. While exploring these diverse platforms, he remains dedicated to his own label, Planet X, which delves into the harder edges of his sound. There, he consistently pushes the boundaries of techno. His enduring appeal lies in his relentless innovation and commitment to his roots, solidifying his place as a pivotal figure in the techno scene. His ability to adapt and innovate across different styles highlights his enduring impact on the electronic music scene.
Collaborators:
Arnvidur Snorrason

Richard H Kirk

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