Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Desislava Andonova

I Gemin

Mirco Berti a.k.a. BABERT was born on 26th August 1982 in Desenzano del Garda on the shores of the beautiful Lake Garda.

When he was 14, his older brother gave him a present that changed his life: a record player. From that moment on he developed a deep love and passion for music and especially House music which he was hearing in the night clubs clustered around the lake.

His passion for House music led him to learn the art of DJ-ing and In the 1990 after entering and winning a nationally famous Italian radio DJ competition, he met one of the most important DJ's in northern Italy, who took him under his wing and introduced him to the most important clubs and promoters in the region.

At just 19 years old Mirco became the youngest resident DJ at Queen Club in Verona, at that time one of the most famous clubs in Italy.

As a fanatic record buyer and DJ, Mirco was just dedicated to only the most recent House music until at the age of 21, he made his first trip to New York, when he fell completely in love with the music at the roots of House ; the sound of Disco. He lived in the city for a year and was able to hang out in the wider club scene and meet with the world famous Disco and House DJ's who inspired him.

Returning to Italy he resumed his career as a DJ, working throughout the Italian scene playing at world renowned venues such as Le Plaisir and Coco Beach where he was also for 4 years the Head Talent Booker.

It was during this time that Mirco made the jump to start producing his own music for labels such as Mazoom Lab, Flashmob and his own joint venture first label Solid State Disco, which he used to release his first disco edits.

As his edits became more and more famous and supported by the likes of fellow editors Dr. Packer, Late Nite Tuff Guy and Discotron, he decided to move on from Solid Sate Disco and founded Disco Revenge with likeminded local editors Ivan Jack and Dinero.
65 releases in, Disco Revenge is widely recognized as one of the leading disco edits label in the scene. Babert edits are much in demand and June will see his debut release on uber cool tastemaker London edits label, Midnight Riot.

Going forward, Babert is determined to spread his production wings beyond just edits and in 2018 has moved into producing original, sample tracks and remixes for the likes of Defected, Sleazy Deep, Club Sweat, Soulfuric, Nervous and Mood Funk.

Babert

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Ken@Work

Tommy Glasses

Da Lukas

Felizmente: Coyoacano, músico, cantante letrista y compositor, Dj, productor, profesor y director de la academia de producción musical "Karate Audio". Nací en 1989 y soy hijo de dos profesores, mi padre un escultor y diseñador industrial, profesor (ya retirado) en la escuela de Diseño industrial de la UNAM y UAM y mi madre, cantante y guitarrista, siempre ha sido maestra de música para niños y adolescentes en diferentes escuelas, ambos son artistas y se encargaron de ayudarme a desarrollar una sensibilidad que me ha servido mucho para poder crear.

Desde niño mis padres y varios familiares más me inculcaron el gusto por la música, el arte y México.

Nunca me he considerado un instrumentista como tal, y de hecho me cuesta mucho trabajo tocar cualquier instrumento pero aprovecho mi terquedad para ponerme a trabajar en mis creaciones hasta hacerlas sonar como me gustan. Casi todas mis canciones son totalmente creadas, grabadas, producidas, mezcladas y masterizadas por mí, con sus excepciones claro...

Desislava Andonova

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