Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Spieltreib

But Sidney Charles in his age of twenty-something already looks into many happy faces, when he enters the decks. Everybody, who understands this love-binding kind of music, has to live the urban movement behind it, the culture that brings people of all kinds together. Exactly these motions are fascinating the young man, born as Sidney Charles Hurricane Vieljans in Hamburg, Germany.

With the age of 15 Sidney Charles discovered the magic of the two black discs spinning on the 1210s. At the beginning Hip Hop, Soul, Funk, Breakbeat and Turntablism was Sidney´s medium to express his emotions. Highly delighted and inspirited by the time of late 80s and early 90s, when the movement, accompanied by young culture, began, Sidney Charles was finding the higher BPM-numbers of House & Techno were leading to more inspiration and happiness.

He is not a musician, nor a percussionist. He is a collector. A collector of culture and experiences. The energy and feeling around the music is what makes the difference and letting Sidney Charles not be one of manys.

Sidney Charles

When it comes to rave culture there aren’t many artists out there who are as passionate and dedicated as Enzo Siragusa. The Londoner is the mastermind behind one of the capital’s most infamous party brands, Fuse – an event which he has used to cultivate an unmistakeable sound, attracting a loyal, dedicated following in the process. His roots lie in jungle and drum n bass, that pure, undiluted sound which sprung up from London’s inner city in the mid-nineties. Enzo still holds true to many of the aspects of 90’s UK rave culture that made it so special and carries them into his current output. So, whether he’s DJing, making beats in the studio, hosting another sellout Fuse event or letting loose on the dance floor, you can be sure it’s always fuelled by a desire to perpetuate the culture that changed his life.

Enzo Siragusa

Doctor Dru is one of the key proponents of the contemporary house movement. He has a rich, multi-layered history, which permeates into his present output; DJing, working as a drummer, running his own label JEUDI Records, composing for other acts and, of course, producing his own emotive, wistful signature tracks that have cemented his reputation as a purveyor of the finest in house music.

Years of deep musical knowledge are reinterpreted into his electronic productions, fueled by his dedication to beats, rhythms and melodies, which began long before his first eighties records got their groove going on. Seeing any sort of sticks made him drum, hearing every genre of audio constantly inspired him to bring his ideas into musical life. Dru`s scores of machines were fiddled with, investigated and pushed to their limits.

From 2011 Dru conceived modern-day classics such as “Juicy Fruit” , “Anymore” and "The Voice Of Dru". Being a number one charted artist over the course of several months placed him on the right musical path

Followed those two hits together with the success of the “The Pattern” and the in 2017 so well acclaimed “Praerie” and “Savannah”.

The big club and festival doors soon opened and traveling the globe has led to him representing at some of the world’s most lauded venues such as Warung Beach Club (Brazil), ZigZag (Paris), Destino and Ushuaia (Ibiza), Watergate (Berlin), Revolver Club (Melbourne), Treehouse (Miami), Loveland Festival (Amsterdam) and a many more.
Collaborators:
Martin Druzella

Doctor Dru

Martin Landsky has now been living and breathing underground house and techno for almost three decades. Sure, when he first started out in the early eighties he was mainly playing to school friends, but dance music and DJing had already got him under their spell, and it’s been that way ever since. After experimenting with homemade mixtapes and breakdancing in local crews, house and techno arrived in his Hamburg hometown and he fell immediately in love. Soon graduating to playing ‘proper’ DJ sets in clubs around Germany, Martin was amongst the first to be playing these new electronic sounds and even had his own night at the legendary Front Club, where he became known for his fresh selections. Now, years later, there is barely a club or festival anywhere in the world that he hasn’t headlined.

Largely inspired by black music, it wasn’t long before Martin began crafting his own productions and a debut release came in 1997 on MC Projects London. It was the start of what has turned out to be an illustrious production career that now takes in underground hits like ‘Bloodhound’ (which was remixed by Steve Bug and got re-released as a certified classic in 2009 on an esteemed Decks Records sub label) as well as the huge underground anthem that joined together DJs from all backgrounds, namely the ubiquitous ‘1000 Miles’ on Poker Flat.  A key member of Steve Bug’s Poker Flat family, Martin also released his debut LP, In Between, on the same label in 2001. Other successes that define the slick, sleek and seductive house and tech fusions Martin serves up are ‘The Composer’, also on Poker Flat , ‘Morning Caffeine’ on Mobilee and many more besides. What’s more, as a remixer, Martin’s unique touches have been put on music by everyone from Booka Shade to John Tejada, Miss Kittin to Pan-Pot.

“I like to experiment,” says the Berlin based Martin. “I don’t follow one style. I have no templates at all, but my music has to be deep and has to have balls.” Anyone who has danced to one of the man’s considered and coherent sets around the world will attest to that: they are compelling things that call up a diverse array of genres, not just the latest big hits, and importantly never lose sight of an essential groove.

In the background to all this, Martin has also worked for Container Distribution and later for Word And Sound – one of the world’s largest distributers – since 1995, but has also been boss of his own label. Effortil Records (later renamed Intim Recordings) ran from 1998 until 2002 and was responsible for Phonique’s very first two releases as well as Marco Resmann’s debut and won plenty of acclaim with DJs and dancers alike.

Martin continues to work on new EPs and exciting collaborations and after so long in the game has a truly 360 degree understanding of dance music. It is for that reason that he is such a vital part of house and techno’s underground world.

Martin Landsky


In 1995, at the age of 17, Sven Tasnadi from Leipzig started his journey as a DJ. His production style blends deep house, percussively reduced tech house, trip-hop, ambient, and soul influences. In 2005, he met producers Matthias Tanzmann and Daniel Stefanik, which led to his first vinyl release on the Moon Harbour sub-label Cargo Edition in 2007.

Tasnadi's tracks have appeared on labels such as Cocoon, Katermukke, Poker Flat, and Moon Harbour. He has produced remixes for artists like Steve Bug and Anja Schneider and has performed at venues including Panorama Bar, Fabric London, and Watergate. His track "Waiting For You Again" was featured on Sven Väth’s "Sound of the Season" compilation.

To date, Sven Tasnadi has released four albums. In 2009, he founded the label Oh Yeah! (active until 2015), where he released his debut solo album "SLOW" (2013). With Moon Harbour, he released "All In" (2015) and "Bridges" (2018). Since 2020, he has been running his second label, Headfire International, which saw the release of "Baroque Electronique" in 2023.

Sven Tasnadi

Lee Burton

Thanks to years of dedication to his craft and a wealth of experience touring the globe Hector has become a highly skilled selector whose talents transcend the confines of the club and stretch out into the studio and beyond.

With his empire continuing to grow and spread around the globe, Hector continues to invest all his time and energy into keeping the quality at optimum levels, showcasing his Vatos Locos familia and pushing ever forward. It’s been a long time since 16-year-old Hector began DJing but his passion and drive remain as strong as ever, with a clear vision of where he’s going there really is no stopping this Mexican powerhouse…

Hector

Within more than a decade now the collaborating production force named Luna City Express, derived and developed from the influences and musical upbringings of Norman Weber and Marco Resmann has turned into a consistent land- and trademark in the electronic music scene in terms of releases, remixes and remarkable DJ sets all over the place.

Ever since their debut single „Fresh“ skyrocketed off as one of the main club hits of 2005, Luna City Express have laid down a blueprint of modern, contemporary House Music on labels like 20/20 Vision, Lapsus Music, Exploited and Moon Harbour. A certain highlight has been their track “Mr Jack” which they released on their debut album “Hello from Planet Earth”. It received worldwide support from multiple house music heavy weights and ten years later, it still finds its way to the dance floors. Whilst their initial work was praised for showcasing a vast musical expertise in a long play format, Luna City Express continually gained momentum on dance floors worldwide due to largely successful collaborations released in the following years, with the likes of Roland Clark and Robert Owens.

Spieltreib

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Anymore EP

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