Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Adapta

Alexey Romeo

Barbara Tucker

Brock Edwards

Blaze is comprised of singer/songwriter Josh Milan and songwriter/producer/engineer/DJ Kevin Hedge. The songwriting/production team has been recording dance-oriented music for over 20 years, and is considered by many of dance music’s elite to be pioneers in the soulful house genre. In 2005, Blaze wrote and produced the international hit "Most Precious Love" feat. Barbara Tucker, which landed them the U.K. House Music Awards “Song Of The Year” and shot up to a NO.1 position on Billboard’s Hot Dance Club Play Chart. It appears 2007 will be another stellar year for Blaze, having been commissioned by Sony BMG with the latest hot remixes of Beyonce’s “Listen” and Jennifer Hudson’s “Family,” from the Academy Award nominated film “Dreamgirls,” both of which have reached anthem status amongst both dance floors and elite DJs around the globe. Their most recent creation, a song entitled “One Dream,” was picked as the performance song for Cirque Du Soleil and performed by Louie Vega & The Elements Of Life Orchestra in front of millions of viewers around the world during the opening performances at Super Bowl XLI in February of 2007. DJ KEVIN HEDGE Biography Industry veteran Kevin Hedge, one half of the group Blaze, has enjoyed equal amounts of success in the music industry as both a musician and a businessman. In 1991, he opened up Club Shelter with superstar DJ Timmy Regisford. Club Shelter has since made history in the international club scene and acted to fill the void left by the closing of Paradise Garage. In 2001, Kevin Hedge joined forces with Mel Cheren and became part owner and President of West End Records. From 2001 to early 2007, Hedge released an extensive collection of NYC soulful house titles on West End, including heavy-hitters like Junior Vasquez, Louie Vega, Kenny Dope, Danny Krivit, Danny Teneglia, DJ Marley Marl, Stephanie Cooke, etc. Kevin Hedge and Grammy Award winner Louie Vega have just celebrated the 3rd anniversary of their highly successful NYC weekly party “Roots”. As resident DJ, Hedge continues to entertain audiences around the world with his mix of House, Funk, Soul, Hip-Hop and Jazz. "My greatest joy,” Kevin says, “ is to add value to the Universe." Kevin Hedge continues his entrepreneurial endeavors with the launch of his newest label, Blaze Imprints. The Blaze Imprints brand will be dedicated to releasing new music from Blaze, along with soulful dance music hits from the industries leading producers and DJs. With upcoming releases from Blaze, Japan’s beloved DJ Gomi, and the legendary DJ Marley Marl, Blaze Imprints is already on the fast track to success.

Blaze

Jeremy Sylvester’s musical journey began at birth, influenced by his father, a member of the 1980s disco group J.A.L.N. Band. Inspired by artists like Chic, Chaka Khan, and Kool and the Gang, he started producing music at his father’s Eye to Eye Studio in Birmingham. Beginning with rave and drum and bass, he co-founded Dubtronix in 1994, producing hits like “Screwface” and “Fantasy.”

Jeremy Sylvester

Todd Edwards created an innovative blend of rhythmic, cut-and-paste vocal samples, rubbery basslines, and slapping percussion that helped propel Britain's Sunday clubscene into the genuine cultural phenomenon of speed garage. Based in New Jersey, Edwards began producing for Nervous, the New York house label, during the early '90s. His 1993 "Guide My Soul" single, recorded as Messenger, established a prototype for garage music that retained the soul and grit but avoided the overly polished airs much of the music had acquired. One year later, "The Praise" (as the Sample Choir) continued Edwards' irresistible, unique production style -- which often utilizes dozens of different samples, many of them himself -- and he also worked with two "real" vocalists, Kim English ("Tomorrow") and Veda Simpson ("Oohhh Baby").

In 1994, Edwards recorded several tracks for an upcoming New Jersey jazz-house label, i! Records. One year later, his second proper release on the label, "Saved My Life," became a big club hit and earned license in Britain through Pete Tong's ffrr Records. He provided remixes for several dance hits, by Robin S., Wildchild, Indo, St Germain, The Beloved, and label-mate Kevin Yost. In 1999, Nervous collected his productions on a CD collection, and i! Records released Prima Edizione, a quasi-compilation including four new tracks. Edwards also released an EP with Tuff Jam, and completed a co-production for inclusion on Daft Punk's sophomore album. ~ John Bush, Rovi

Adapta

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XVIII

Wake Me Up (2K23 Remixes)

NS001

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