Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Staffan Ehrlin

Lars Wickinger

Wehbba is an emblematic electronic music DJ/Producer from Brazil, having his name featured across the world on respected labels such as Drumcode, Kompakt and Hotflush.

Wehbba

Thomas Schumacher was eleven years old when Depeche Mode released Construction Time Again. "I'll never forget sitting at home, listening to the album in my headphones, trying to figure out how they made those sounds."
Thirty-five years later, Thomas Schumacher still burns with curiosity. The Berlin-based DJ and producer makes light of his status as one of the most successful, versatile artists in electronic music. "What I love about Techno is that it demands that you constantly challenge and reinvent yourself."
Thomas Schumacher is always pushing his own boundaries. "The art of being relevant," he says, "is to repeatedly forget what you know.” In his early days producing music, he had to learn how to physically create the sounds he heard in his head. Now, as a virtuoso, the challenge is to use his breadth and depth of musical knowledge to convey profound emotion. "Techno is not just a tool to make people dance" he says, "it is a very personal, intimate way of connecting."
This intimacy fuels the unique vibe of a Thomas Schumacher DJ set. He likens what he does to being the captain of a ship. “I purposely steer my sets into rough waters. I want to help people get out of their heads and into their bodies. I create a safe space for people to lose their minds, in the best possible way. They know they don't need to worry or be afraid, because I’ve got them. I know what I'm doing. They can let go and just be."
When not guiding clubbers through seas of sound, Schumacher reaches them via his productions on labels like Drumcode; Arts, Noir Music and his own label Electric Ballroom. The more he creates, the more there is to explore, the more opportunities to invent, connect, and imagine. "I am always the one to change it up," says Thomas. "My ongoing ambition is to connect with the people, every single time. Thats why I do what I do and love it so much. I have never seen a reason to compartmentalise my music and my life. Everything is energy and everything is connected."
On Beatport Thomas’ remix of the classic “The House Of House” became his third number one hit within the past 24 months after “Stella”- a propulsive anthem dedicated to his daughter and “Wonder”, his collaboration with Victor Ruiz - once again reinforcing his place as one of the Techno greats.

Thomas Schumacher

Hamburg based techno duo Kaiserdisco have established themselves as one of Germanys top exports to come out of the last decade. The synergy between Patrick Buck and Frederic Berger has resulted in a successful and consistent release schedule on many top labels including Drumcode, Get Physical, Suara, Terminal M and Tronic, and an endless list of top notch remixes.

Kaiserdisco

Nicole Moudaber

Format:B

Axel Karakasis

Tom Hades - no more than techno out of passion

Tom Hades

DJ Ogi got into Croatian electronic music scene in 1995. He is the founder of Rijeka's techno scene and also one of the leading people of today's Croatian electronic music scene.
His style has always been based on techno, and even today it's a combination of pumping techno with dark elements, marked and well rounded with his beastly mixing technique. His DJ and Live P.A. sets could be heard at the raves and parties such as Dance Valley a Spaarnwoude (Hol), Love Parade in Berlin (Ger), Apokalypsa in Brno (Cz), SDF Festival in Rijeka, ECO Festival in Nova Gorica, Stealth in Los Angeles (US), Aux Music Festival in Augsbourg (Ger) and in clubs like Florida 135 in Fraga, Lov.e in Sao Paolo, Anti club in Toronto, Kantine in Augsbourg, Anti club in Toronto, Lagoa in Menen. Triple 777 , Fabrik in Ostrava, MDa in Florence, Cinema in Kiev, Ambasada Gavioli in Izola, Factory in London, Crkva in Rijeka, ExExtreme in Bratislava, Zoreks in Lleida.

With releases on numerous renowned vinyl labels like Submission, Planet Rhythm, Compressed, Patterns, Holzplatten and Compound (some of it featured on compilations like "Mayday", "Palazzo Mix", and "The Detroit Connection by Kevin Saunderson"),
Today Ogi is behind several labels (Technodrome, Techno Factory, Noisy Room, , Dark Noise...) and his productions were played by numerous well-known DJ's, including the one and only Aphex Twin!

DJ Ogi

When it comes to describing Nadja Lind, a dispassionate third person box ticking exercise doesn't really cut it. Sure, she has the credentials: a DJing career that kicked off on New Years Eve 2003 and has spawned a typically globetrotting calendar (b2b with Terry Francis at Fabric London, b2b with Silicone Soul@ Time Club Manila, Tresor Berlin...), a production career that has seen several works as either a solo artist or with Klartraum production buddy Helmut Ebritsch, and the dizzying heights of being co-owner of the Lucidflow imprint, a record label which has seriously started to rack up quality releases and remixes, seeing the likes of John Digweed and Hernan Cattaneo pluck from the catalogue, a seal of quality like no other. Tick, tick, tick... the facts are all there.

What this doesn't get across is the sheer warmth of personality that Nadja brings to your world once invited in. As barmy as a bag of cats, you can guarantee that there is one person at the gig that will be jumping harder than all the rest, and that is the lady in charge of the buttons herself. It's true; I've seen it at fabric London. Beaming smiles and effervescent personality, this shines through in her music: the serious tropes of Dub Techno and Deep Tech House are drawn upon and spun through a web of energy, a jolt from the defibrillators to the weary heart of the House music scene.

Her ceaseless energy is now spreading through into her performances; not content to just spin other people's tracks one after another, Klartraum have branched out into live performances featuring their own tracks and live jams. Also, since the start of 2012, Nadja's sets (barring her marathon 6 hour Audio Olympian excursions) are now populated purely with her own hand crafted distinctive sound, thanks to a back catalogue that is pretty much humungous. Venues such as the world renowned Fabric and infamous Kazantip festival have been treated to this unique vision.

Continents and countries such as Australia, India, Kenya, USA, Asia, Mexico have been treated to the Nadja touch. A cheeky partnership with those fans of Dark Rooms and Dubs, Silicone Soul, is blooming into some exclusive DJ mix and label collaboration parties. Plus the eternal draw of a bulging production catalogue that will continue to deliver a spectrum from Dub and Chill Out to the straight up Techno of her Luci-fer alias, working solo and with illustrious names such as Brendon Moeller, Saytek, Grunbox, Omar Salgado, G-Man (a.k.a. LFO), Lulu Rouge and Paul Loraine.

So there we have it; the past, present and future of Nadja Lind, all boxes ticked, facts present and correct.

Staffan Ehrlin

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