Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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APRS

Samuel L Session

Exos stands as one of Iceland's most revered techno artists, with a career that stretches

back to the mid-nineties. Over the years, he has released more than thirty vinyl releases

and four albums. His journey began at the age of 17 with his debut EP on Thule Records,

an Icelandic dub techno label known for its unique minimal sound.

Exos is bringing his unique sound to renowned labels such as Figure, Delsin, трип records, BPitch, Mutual Rytm, and Tresor Records. While exploring these diverse platforms, he remains dedicated to his own label, Planet X, which delves into the harder edges of his sound. There, he consistently pushes the boundaries of techno. His enduring appeal lies in his relentless innovation and commitment to his roots, solidifying his place as a pivotal figure in the techno scene. His ability to adapt and innovate across different styles highlights his enduring impact on the electronic music scene.
Collaborators:
Arnvidur Snorrason

Exos

Gannein, a Berlin-based artist with Parisian roots, crafts techno that transcends the dancefloor. His meticulously produced tracks, championed by luminaries like Ben Klock, Speedy J, Ben Sims, and Luke Slater, are sonic blueprints for a unique vision. A self-taught force, Gannein translates this artistry into immersive DJ sets at iconic venues worldwide. From the raw energy of Berlin's Tresor and Renate, to the vibrant crowds of Barcelona's Razzmatazz, and the intimate intensity of Paris's Glazart, Gannein sculpts soundscapes with intention. Each performance is a carefully curated journey, designed to resonate long after the final beat. He prioritizes the shared experience, connecting with audiences through powerful, evocative sound. Expect a powerful evolution from this visionary artist.

Gannein

Yrsen

Yotam Avni

Keith Carnal

UK based Techno producer best known by his work on the Belgium based Token Records and whose style ranges from gritty minimal techno to Detroit influenced material. Originally a Mastering engineer, Ø[Phase] began producing as a sideline, releasing his debut 'Module Overload' on Steve Bicknell's Lost/Cosmic records in 2000. This was followed by a string of productions for London's Surface/Inceptive Records and Ben Sims Ingoma imprint, all of which saw consistent big name support throughout the techno community.

He started working with Token in 2007 and since then his music has progressively gained more & more worldwide attention - most significantly on 2012's much acclaimed 'Binary Opposition' single and subsequent 'Reprocessed' remix package. Recent times have seen him remix for the likes of Robert Hood, Peter Van Hoesen & Mark Broom amongst others while avid support from Marcel Dettmann and Ben Klock have led to several appearances at Berghain in Berlin. His DJing continues to take him across the globe, having performed in Rome, Oslo, Amsterdam, London, Stockholm, Brussels, Shanghai and beyond..

Ø [Phase]

Jonas Kopp was born in Buenos Aires, Argentina in 1981.
He has been a producer since he was 19 years old.

APRS

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