Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Dire T

Dextro has a long track record as an artist. He started to learn the art of DJ'ing in 91 and has a different perspective on music. His residencies in several clubs for over 15 years has forged his name and helped him create his own distinctive brand of music.

As a producer he has made many tracks with his Redkone project that was born in 2002, as well as a multitude of tracks for other labels.

Over the last 20 years  Dextro has played around the globe and has releases on a variety of international record labels such as Missile - CLR - Mutual Rytm - Nechto - Second State - Suara - Uncage - Illegal Alien - We Are The Brave - Matéria - KD Raw - BEK Audio - Tronic - HotFlush - Terminal M - Planet Rhythm - Toolroom - Nervous - Stereo and more!

Dextro, is officially remixing artists like: The Advent, Gez Varley, Damon Wild, Tim Taylor, Inigo kennedy, Christian Smith, George Morel, Scuba, Chus & Ceballos, Joe T Vannelli, Chus , Richie Santana, Ron Costa, Axel karakasis, Lex Gorrie, Drumcomplex, Insolate, Skober, Cristian Varela, A.Paul, Mendo, Zzino & Guss Carver, John Creamer & Stephane K, Dataworx, Eric Entrena, TKC among others

DJ Dextro


Since 2014, Andy has been a driving force in the electronic music scene, captivating audiences on some of Mexico’s most iconic stages. Renowned for his impeccable music selection and innate ability to read the dancefloor, he has shared the spotlight with some of the most respected national and international artists in the industry. Peim Andy’s deep passion for house music naturally led him to music production, propelling his career onto the global stage. His tracks have been signed by renowned labels worldwide, including What NxT, Tzinah Records, La Zic, Kittball Records, Lapsus Music, 12 + 1 London, and Tied Chicago. His versatility extends to the vinyl format, with three standout releases on Defined Limited. With a consistent presence on major digital charts, Andy’s music continues to resonate with listeners around the globe. In 2020, his track “Don’t Want It” climbed to #6 on Beatport’s Minimal/Deep Tech chart, followed by “Stuart Bass,” which peaked at #28 in 2021. Peim His DJ sets and productions have been featured on top-tier radio stations, such as Ibiza Global Radio, Ibiza Sonica, Kiss FM, Mad Radio, So Good, and Somnia Talent Radio. Recently, Andy has taken his sound worldwide, performing in cities like Prague, Bogotá, Barcelona, and Toronto. He also curates events both locally and across Mexico, further solidifying his presence within the national music scene. As the founder of Outcast Music, Andy is committed to shaping the future of electronic music. Beyond crafting the label’s next releases, he collaborates with well-established artists while providing a platform for emerging talents. Through Outcast Music, Andy nurtures rising stars, offering them opportunities to showcase their work and connect with a vibrant global community, fostering creativity and innovation within the scene.

Dire T

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Essential 2019, Vol. 2

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