Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Koji

Hungarian-born, Barcelona-based DJ/Producer, Reelow, has a knack for churning prowling bass lines and indelible riffs into heavy hitting dance floor records. Reelow’s sound is not limited to one genre but incorporates influences from jazz, soul, breakbeat, hip-hop and techno. As an evolving power house producer, he owns a host of impressive releases on labels such as Desolat, Solid Grooves, Avotre, Elrow Music, Snatch!, Deeperfect, just to name a few. Since 2011, Reelow has gained traction with support from the likes of Loco Dice, Marco Carola, Adam Beyer, Joseph Capriati and many more.
Reelow first showcased his DJ talents in Budapest, leveraging his popularity into some of dance music's most respected parties and clubs all around the world. In 2017 he started his own imprint called Reecords.

Reelow

To speak of Yamil is to speak of artistry at its purest—driven by relentless effort and a deep-rooted passion for music. Over the past years, Yamil has risen to prominence in the global House and Deep House scenes, carving out a name as a visionary DJ, Producer, Label Owner, and Artist whose sound transcends boundaries.

Currently, in a state of creative elevation, Yamil's music has been embraced by some of the most respected labels in the industry, such as Saved Records, Sol Selectas, Sony Music, MoBlack, and his very own Pieces of Life. Many of his releases have soared to the top of the global sales charts, amassing a rapidly growing international fanbase. He has garnered the support of luminaries like Black Coffee, &ME, Rampa, Âme, Rüfüs Du Sol, and Solomun, firmly establishing his place among the elite of the electronic music scene.

Fuelled by an insatiable drive for innovation, Yamil is constantly refining and evolving his sound, daring to break free from trends and industry norms to create something truly unique and forward-thinking. Known for his ethereal, melodic soundscapes and a masterful fusion of percussive rhythms drawn from diverse cultural influences, Yamil’s productions often echo with

Yamil

Sante Sansone

Cele

Nader Razdar

Marc Molina

Milwaukee post-rock combo Pele was formed in 1997 by guitarist Chris Rosenau, bassist Scott Schoenbeck and drummer Jon Mueller; two weeks before recording their debut record Teaching the History of Teaching Geography, the trio recruited former Promise Ring member Scott Beschta to play keyboards, ultimately the dominant musical element both of the LP and its companion remix disc People Living with Animals. Animals Kill People. After the sessions were completed, Schoenbeck agreed to assume Beschta's onetime bass duties in the Promise Ring, with Beschta himself moving on to other projects as well; the remaining duo of Rosenau and Mueller recruited bassist Matt Tennessen, with whom they'd worked in a pre-Pele group dubbed Tussin, to record 1999's Elephant and 2000's The Nudes. After issuing these intense and complex records, Pele took time away from recording to play live and keep writing. By the fall of 2002, Enemies (which was recorded in a women's shower room) was released on the Polyvinyl Records label. In 2004 the band called it quits, but the members continued in other projects: Rosenau, Mueller, and laptopist Jon Minor performed as Collections of Colonies of Bees; and Tennessen played with Paris, Texas. In 2009, the anthology A Scuttled Bender in a Watery Closet looked back at the band's seven years and 13 releases. ~ Jason Ankeny

Koji

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Lilo

Edits EP

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