Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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SuperJunk

International DJ, charting producer, in-demand remixer, Beatport Music Awards nominee, Olivier Giacomotto is a proven integral player in the electronic music scene.

His tireless need to evolve and grow as creative entity and forward thinking artist pushes this Paris based composer to constantly seek a new musical excitement, naturally crossing musical genres, always keeping an eye on the original definition of the underground, in techno, electro, house, tech-house, deep house, minimal, releasing on acclaimed labels such as Get Physical, Noir Music, Suara, Definitive Recordings, Plus 8, Great Stuff, Knee Deep In Sound, Terminal M, Yoshitoshi, Stil Vor Talent, Toolroom, Tronic, Eleatics, etc...

As well as boasting a number of excellent releases under his own name, he also continues to put out a number of top-quality work under the alias of Ohmme. But his unwavering determination to push boundaries sets him apart from the others and his creativity span far beyond the music that’s brought him to international acclaim. In the last 15 years, Olivier wrote several songs for mainstream artists, top-selling video games, Hollywood box office movies, and composed the entire soundtrack to a full length feature film and multi award-winning horror movie 'The Red Man'.

Alongside his long time friend and partner John Acquaviva, he co-ran independent label Definitive Recordings from 2006 to 2016. Launched originally in 1991 by John Acquaviva, Richie Hawtin and Karl Kowalski, Definitive represented the housier side of the electronic empire that Hawtin and Acquaviva started with Plus 8 Records in 1990, and after a brief hiatus, John Acquaviva re-launched Definitive in 2005 with Olivier as his main artist and A&R, seeking and presenting the latest emerging sounds and talent to the world via a reputable, consistent, and trust-worthy platform.

With this impressive career achievements and a relentless work ethic for touring, Olivier is also known around the world for his exhilarating DJ performances that combine a heavy dose of groove inside an inspired blend of melodic flavors, demonstrating his talent behind the decks with an undoubtable versatility, adaptability, and headlining some of the world’s most iconic venues and events.

Olivier Giacomotto

Ramon Tapia was born and raised in Holland, with a Dutch mother and Chilean father – his upbringing had an eclectic mix of cultures which in turn developed and influenced his decision to become a musician.

In 2023 Ramon entered into the Raw Techno techno Top 10 charts with a bang, like his collaboration with Gaston Zani ‘Friction’ on Planet Rhtyhm and ‘Circular’ on Christian Smith’s  Tronic Music in 2024 .

Working in his teen years in Antwerp’s famous record store ‘USA import’ he sculpted a broad taste in music and his production skills along the way gradually learning how to produce tracks solo, with a solid foundation in pounding techno and hardcore scene.

He found his resurgence in the 00’s, forging a new school techno sound with his release ‘Land Of Drum’ on Pocket the sublabel of Music Man, a release on Gayle San’s label Equator and more house styled tracks on New York’s legendary Strictly Rhythm label. That's where his name catapulted into the limelight, becoming the biggest turning point for his career, resulting in a residency at Sankey’s Ibiza for three years, multiple bookings around the globe, rapidly growing loyal fan base and global recognition.

With an impressive collection of releases on some of the biggest labels, Ramon started his very own imprint - Say What? Records in 2012. The label delivers a proper dancefloor-ready Techno from respected names and new kids pulling the wagon for the new generation under Ramon’s supervision.


Ramon Tapia

DOMPE aka Dominic Wagner is a DJ & Producer with an absolute passion. A day without Music is a lost day for him. He describes himself as a restless person always searching for the next track and a perfect baseline. His Output is noticeably high. The Output of Releases have attracted for many attention, national and international

2016 he has signed on many named labels like: SNOE, LAPSUS, STYLEROCKETS, SUPERFANCY Rec., AUDIO SAFARI, WIRED and many more. 2017 it goes on with GET PHYSICAL, KITTBALL, MONKEY LEAGUE, STYLEROCKETS and JACK FRUIT RECORDINGS.

The cooperation with his friend Andreas Schreck, better known as AGENT! is a good one, with a real groove. They spend much time together in the Studio and one can be eager for the results. Their EP SULTAN was a big one in 2017 and played by CLAPTONE and many more.

His tracks can also be finding on many “Berlin-Sounds”-Compilations. Next to his own releases, he brings out several lovingly carried remixes for his buddies. 2017 he released on 3000 GRAD, LAUTER UNFUG, BRISE RECORDS, just to name some.

CLAPTONE put DOMPE´s Tracks in his Best of 2017 Playlist and cause of the 10th anniversary of HANNE & LORE DOMPE made his one Version of HOSHLE, fresh released on HEULSUSE.

Also not uncommon that he can listen to his own stuff while he stands in the clubs private. CARL COX, LAURENT GARNIER, MARCO CAROLA, RICHIE HARTWIN play his songs.

DOMPE´s Tracks stand for extraordinary vocals paired with optimal arranged Sounds and Baselines. Never boring and always innovative.

In the summertime 2016 he played in India (Bangalore) for the first Time, transforming the dance floor into a boiling dance extravaganza in nearly no time. But, of course, he was also finding on the German festivals floors, for example he played at NATURE ONE or DIE LETZTE WIESE. At the Beginning of 2017 he was invitated to Russia, Nischni Nowgorod.

The Berlin Scene appreciates his sets: DIE WILDE RENATE, BIRGIT & BIER, IPSE, RITTER BUTZKE are only some locations, he played. HAMBURG, KASSEL, NÜRNBERG, COLOGNE, WÜRZBURG and MUNIC, national everything was in the program.

In Addition to that he also has time to work as a successful label manager for the Berlin Imprint of the KIDDAZ.FM-Musicgroup named STYLEROCKETS and proves his talent for new sounds and high talented artists. With JACK FRUIT RECORDINGS he founded his own brand new Label in 2017. There were three releases until now. 2018 there will be some more, with other artists.

At the end of 2011 he moved from Cologne to Berlin. A decision he has never regretted. But he is a well-known man in the Rhineland. With some Buddies he had a Club called ELECTROKÜCHE.

It is not unlikely that he will release his third album 2018. 2011 there was his first one BEAT BACK on IMPULSE REC. and in 2013 PARADISE CITY was the second one on MIMIQUE Rec. So it´s time for something new, the year has just started.

Dompe

Grammy Nominate & Los Angeles based artist Eddie Amador is best known as an international house music DJ. Eddie exploded onto the scene in 1998 by penning the infamous lyrics...'not everyone understands house music, it's a spiritual thing, a body thing, a soul thing.’ He set them to a hypnotic pulsating beat and the seminal dance classic House Music - Message Mix was born. 'House Music' went on to become a global hit and secured Eddie an album deal with Deep Dish's Yoshitoshi label. However, it was his next single 'RISE' which proved that Eddie was no one hit wonder. Catapulting into the top 20 of the UK national chart, Rise - Robosonic Remix propelled Eddie to the status of a world class dj and he was now performing at such super clubs as Ministry of Sound,The Queen, Centro Fly, Crobar, Stereo as well as Pacha & Space in Ibiza.

By 2007, Eddie was remixing platinum recording artists Leela James, Michael Buble, and Seal for Warner Bros. Records. He became par t of the exclusive group to remix Madonna and his mix of “GIVE IT TO ME” Give It 2 Me - Eddie Amador House Lovers Edit from Hard Candy became #1 on Billboards Hot Dance Club Play Chart. Eddie’s gone on to remix Yoko Ono (#1),The Veronicas, Alanis Morissette, Donna Summer (#1), Chris Willis (#1), Jason Derulo, Kerli (#1), Blush (#1),Taryn Manning (#1), and many many more. In 2013, Eddie remixed Madonna’s “Super Star” for Interscope Records.
Links:


Eddie Amador

Riva Starr

Harry had the privilege of being raised in a musical family. His mother soaked the air with the Latin rhythms of merengue and cumbia, while his father, a former opera tenor, practiced his scales and listened to Beethoven. These early influences drive Harry to constantly look to expand musically... and he has.Run-DMC, along with the Latin-freestyle movement in the 80s, inspired Choo-Choo (the train conductor's cap he's worn since childhood may have something to do with the nickname). Choo-Choo jump-started his career as a DJ with a high-voltage performance at a New Jersey dance club. From there, he was taken under the wing of Millennium Music, a management company and production team. Harry worked with their label, Gossip Records (distributed by Strictly Rhythm), creating demos and gathering some useful industry-related knowledge.His first record, Soulfuric "Urban Turban" was clearly ahead of its time, weaving Arabic scatting with house grooves. Strictly Rhythm grabbed the record for release in 1995, and asked him to release a follow-up Soulfuric record, called "Sea Of Passion" which captured more Latin elements. Both records were licensed extensively, catapulting Harry's name and music out into the world.A number of releases followed for labels like Emotive, Sex Mania, Power Music, and Gossip Records. One of Harry's major breaks resulted from C&C Music Factory's Robert Clivilles' interest in one of Harry's creations named "Il Futuro", a house track with an Italian vocal from "World" EP.Robert asked Harry to write, produce, and arrange a song, "Saturday Night" for his 1996 LP "Robi-Rob's Club World". As expected, lots of work followed for Harry.Collaborations with his labelmates and others have been extremely important for Harry as he continues to develop his name and his body of work. Constipated Monkeys, Harry's acclaimed partnership with Jose Nunez, has produced several percussive, funky tracks including "Cro-Magnon" and "Erectus" (Subliminal Records). The success of these tracks has launched the team into another wave of production - their 12" "Sunshine" was released this summer. In addition, Constipated Monkeys' worldwide reputation as producers and DJs has earned them residencies at both The Ministry of Sound in London and Pacha in Ibiza, Spain.To top off Harry's stream of new solo releases, a much- anticipated follow-up track with the stunning vocalist Inaya Day will succeed last year's tremendous Subliminal release "Just Can't Get Enough". Harry describes this record as "chalk-full of 80s rock n' roll and Latin roots."He is an impressive young man with an honest and zealous dedication to improving and honing his talents. He recognizes Dave Darlington, an engineer he has worked closely with, for inspiring him to sharpen his technical skills, and he credits the many great musicians and vocalists he's worked with for reminding him that it's all about the music.

Harry Romero

Stefano Noferini

Miguel Bastida’s (1984, Granada, Spain) career has been steadily going up since he started DJing with only 14 years old, in the local radio station of his hometown, Alhama de Granada.
Nowadays living in Barcelona, Miguel has become one of the most in-demand Spanish artists worldwide, due to his versatility, great musical selection and charisma dominating the dancefloor.

Miguel’s influences initially came from bands as The Prodigy or The Chemical Brothers, and also from harder styles, like hardtechno and breakbeats. Besides, he had one of South Spain’s electronic music strongholds close to home: Industrial Copera. There, DJs as Ben Sims or Cristian Varela left a huge impression on Bastida, who also looked up to artists such as Nathan Fake, James Holden or Alex Under, during the golden years of minimal techno.

Miguel already dominated the mixing craft when he turned 16. After his first nights out, the idea of music production started to come to his mind. Picturing sounds with each song he listened to, Bastida started gathering with friends with the same ideas and taste for music, setting up his first live sets, which finally led to the foundation of his first group: the electronic music band Raíz Electrónica (Electronic Roots). After that, and thanks to his self-taught practice, he managed to dominate his first production software, Reason, changing to Logic afterwards. Today, being his weapon of choice when creating beats. His love for machines is also well known, especially for Moog’s creations and MIDI controllers.

With his family support as mainstay, helping at the family’s business in the morning and focusing on the studio sessions during the afternoon, Miguel was able to dedicate himself to his great passion: the creation of tunes. Music production has been, without a question, what has taken Miguel Bastida where he is today. After years and years of being locked up in the studio, he managed to create his own, exclusive and uncompromised sound, whose turning point came in 2015, with the release of ‘Moudness’, a track that managed to stay up in the Top charts of platforms such as Beatport. Before that, he already managed to knock on the doors of heavyweights as Umek and his 1605 platform. Then Sébastien Leger’s Mistakes Music came, followed by Mark Knight’s Toolroom; Deeperfect; Trapez, elrow Music; Marc Marzenit’s Paradigma Music; Dubfire’s Sci-Tec; and most recently, Suara, demonstrating all the styles he dominates. Today his productions can be found in the selections of artists such as Richie Hawtin, Paco Osuna, Luciano, John Acquaviva or Leger, Dubfire or Umek themselves.

As DJ, Miguel Bastida belongs to the exclusive group of Spanish DJs that has had the chance of touring around the world, presenting his repertoire in almost every country in the planet, from Australia and New Zealand to electronic music strongholds as New York and Chicago. His name can also be found on the line-ups of the world’s best clubs and festivals, managing to convince even the most demanding dancefloors of the scene.

Self-taught and entrepreneur, Bastida’s projects ended up naturally in the creation of his own label, Be One Records, that he manages along two of his childhood friends. Bastida is in charge of the A&R, while his buddies in Berlin and Granada manage design and social networks duties. Recently they created a sub-label, dedicated to support and give a chance to young and upcoming talents of the electronic music scene.

Be it as groove creator, selector or supporter of new talents with his label, Miguel Bastida is a safe bet for any record label, festival or venue that seeks to tear up their dancefloors.

SuperJunk

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Five Years of Kd Music 3/5

Best of Definitive Remixes 2012

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