Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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MIME

Wally Lopez

Change is inevitable, and nowhere is this more prevalent than in the world of dance music. Analog gives way to digital, trends come and go, yet NYC’s DJ Joeski remains at the top of his game, and now, in the midst of his third decade as one of house music’s most sought-after stars, his momentum shows no signs of slowing.

Joeski’s trajectory can be traced back to 1991, when he burst onto the NYC house music scene as a founding member of The Chocolate Factory DJ collective. He delighted crowds at Limelight, Tunnel, Palladium and NASA, helped turn “Save The Robots” into a NYC afterhours institution and earned his first residency at “Together” parties at the legendary Roxy, playing alongside the likes of Danny Tenaglia, Louie Vega and Roger Sanchez.

Already a fixture on the U.S. and Canadian club circuit,in the late 90’s Joeski added production to his repetoire, building his own recording studio and spending the next few years mastering his craft. In 2000 he burst into the clubs and onto the charts with hit after hit on Electrik Soul, Siesta, Chez and Camouflage, emerging as one of the most sought-after DJs, remixers and producers in the scene.

In 2001 Joeski launched Maya Records, with releases like “Hustler’s Revenge” and his collaboration with DJ Chus on “El Amor” propelling the label onto the forefront of the U.S. house music sound that would become a global phenomenon and win him worldwide acclaim from clubbers and fellow DJs alike.

Demand for his studio skills grew exponentially over the next decade, with Joeski producing and remixing for the likes of NRK, Ministry of Sound, Defected, Bedrock, Nervous, Cajual and KMS ,helping catapult him further into the ranks of the house music elite.

Entering its 16th year, his Maya label continues a steady output of quality material that remain fixtures on the Beatport and Traxsource tech and deep house charts, with a robust release schedule that shows no signs of slowing any time soon.

January 2017 began with Joeski once again hard at work in the studio, teaming up with Harry Romero (as HR+Ski) on “Dem Tings” for Maya, working solo on “Lessons in Dub” for Poker Flat and also releasing the 14th installment in his “Maya Sessions” podcast on Pioneer DJ Radio.

The new music and remixes continued with the release of “Mind Function” on Maya and “Tribute to Obatala” on Crosstown Rebels, dropped by Pete Tong on his BBC Radio 1 show in February.

Joeski’s touring schedule continues to be as prolific as his studio output, headlining clubs from Acapulco to Helsinki plus a booked-out week spent at Miami Music Week 2017. In March all three tracks from “Tribute to Obatala” simultaneously climbed onto Beatport’s Tech House Top 100, with Joeski ending the month as featured artist on John Digweed’s “Transitions” podcast.

New music continued to flow in April including the release of Dancing in Space” on Kinetika and “Deep Elements EP” on Kitball, while “Mind Function” on Maya climbed into the Traxsource Tech House Top-10. Returning home from a tour of Mexico Joeski hit the studio once again, jamming with SF’s legendary Doc Martin on an upcoming collaboration and putting the finishing touches on his next solo Maya release.

This summer Joeski will once again be a fixture on the global tour circuit with performances at both Do Not Sleep and Dennis Ferrer’s Misfits Party in Ibiza, extensive tours of Australia, New Zealand, South America and Europe while back stateside he and Harry Romero continue their monthly Yage night at Brooklyn’s Output.

Fueled by his genuine love of the music, there’s no doubt that Joeski will continue to evolve both behind the decks and in the studio, captivating new generations of club-goers and maintaining his place as one of dance music’s most enduring talents.

Joeski

Domy Berardino and Mirco Sonatore are two Italian DJ/Producers who form the artistic project "The Deepshakerz" a perfect blend of various musical styles from vocal House, afro- beats , 90s Tech and Chicago style.Their music has led to them gaining international support from the DJ likes: Groove Armada, David Morales, Loco Dice, Dubfire, Riva Starr, Mark Knight, Roger Sanchez, 2000 and One, Pirupa, Luciano, Shinedoe, Tube & Berger, Quentin Harris, Stefano Noferini, Chocolate Puma, Sandy Rivera and many more....With tracks on many importants labels (of techno and deep worldwide scene),they had also remixed legendary artist such: Marshall Jefferson, Todd Terry, Kerry Chandler, Ultra Natè, Blaze and Marlon D...The passion of these two guys leads them to evolve more and more and try new things in both productions and in DJ sets....They Run own imprint called “Safe Music” that is one of most respected italian labels and is steadily supported from many worldwide mainstream Dj's and radioshows........Welcome in their "World"!!!

The Deepshakerz

Andrea Oliva

Oscar L

David Keno

Collective Machine

Vanilla Ace aka London DJ and producer Sam Young is a prolific and increasingly prominent force in house music. A firm favourite in his native UK and a growing name globally, with releases on Toolroom, Safe Music, Hot Boi, Glasgow Underground, Nervous, Simma Black and Spinnin Deep Vanilla ACE has been making club hits since 2012.

The last few years have seen him go from strength to strength with top charting singles on Beatport, Traxsource and Trackitdown. January 2018  ‘Commotion’ was released on Ministry of Sound and had support from A-Trak, Silk City (Diplo & Mark Ronson), Danny Howard, MistaJam and James Hype.

2018 saw releases on Elrow Music, Big Beat/Atlantic, Erase, Universal, Box of Cats, Hot Boi, Stashed and Club Sweat.

The crowning achievement of 2016 was ‘The Gee’. Built around an instantly recognizable sax sample, the track shot to no.1 on Beatport 100 chart and stayed there for weeks and picking up support from an array of club and radio DJs. This follows his 8 week top 10 on Beatport ‘Deep House’ with ‘Bring it Back’ during the heyday with OFF recordings in 2013.

Touring globally, Vanilla Ace has performed in North and South America, Australia, South Africa and India, with bookings including HARD Summer festival in LA, Holy Ship in Miami, Green Valley in Brazil, Ministry of Sound and Egg in London and Chinese Laundry in Sydney, Australia playing alongside the likes of Patrick Topping, Tough Love, Green Velvet, Low Steppa, Roger Sanchez and Breach.

Vanilla Ace

Italian born producer/dj, Manuel De Le Mare has spent the past years delivering money-shot releases and remixes, whilst marrying a lifetime of passion and dedication to his love of DJing. This ability within his musical sphere has pricked the interest of global artists like Mark Knight, John Acquaviva, Solardo, Green Velvet.With his music growing in stature on ever release, the demand with his bookings has not been far behind. Already a familiar face at global venues like Ministry of Sound, Womb, Space, Pacha, Amnesia and Ultra Music Festival, Tomorrowland and Global Gathering. Manuel has managed to procure a global fan base that has enabled him to perform his music throughout all continents.

His sound stretches somewhere between house and techno, whilst respectfully treading the line between commercial and credible underground.

The strength of his own recording label, which he runs with Luigi Rocca, is a testament to his intelligent foresight within his music. In the past ten years, 303lovers has find itself being earmarked by major players like Carl Cox, Richie Hawtin, Adam Beyer, Jamie Jones,  Marco Carola and Pete Tong among the others as a solid source of good quality electronic music.

Manuel De La Mare

Coming from completely different musical backgrounds, Robert as beat producer and composer in electronic projects and Sam as a guitarist, singer, and songwriter in rock- and jazz bands, they work together as umami. The project was founded to merge all their influences into one unique train of thought. Always chasing that mind-altering intensity of a new melody that feels like something you have never heard before.

They have had a long journey finding their true sound, with many detours and experiments along the way. Their first full length album „In Exchange For Everything“ came out early 2019 on trueColors and it marked a new chapter of the project - more mature and honest than anything they had done before. It included the single „Terra Mount“, a collaboration with the singer- songwriter-producer Monolink, that became their most played track in 2019.

Later that year the „Das Horn“-EP was released on Bar 25 Music, further outlining the patterns of their upcoming work with deep tribal percussions, analog synths and Sams vocals.

Now, in June 2020, they will release their EP „Soltornet“ on „Human by default“ - the new imprint of Bedouin. The title track „Soltornet“ is a deep dive into a mystical melody that embodies umamis vision for a special kind of music. The track was supported by Bedouin in their „Live at Mayan Warrior“-Set at Burning Man 2019.

MIME

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РАЗОМ ЗА УКРАЇНУ / TOGETHER FOR UKRAINE

Strand House, Vol. 3

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