Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Sean Harrington

Ben Rau

9th House

Emile

Birmingham's own RUZE & Beatportal’s ‘One’s To Watch’ are rapidly making their mark in the dance music scene with a unique sound that fuses infectious basslines, punchy percussion, and soulful vocals. Their recent release on insomniacs Factory 93 imprint, ‘Sample Inspector’, with collabs with Robbie Doherty & Chesster" gained heavy industry support, and their 2021 "Chapters" EP topped Beatport charts, with "Mindset" going viral. Subsequent releases, including "Hardwire" in 2022, continued their Beatport chart-topping success.

In 2024, RUZE's "Journey LP" on PIV Records saw early singles "Mister DJ" and "Trip" achieve top Beatport chart positions, with "Mister DJ" reaching No. 1 in Minimal Deep Tech on Traxsource and "Trip" gaining Radio 1 support. The entire LP reached No. 1 across all genres on Beatport within two days of release.

RUZE's performances span prestigious venues and festivals like Tomorrowland, Fabric London, and Pacha Barcelona. With their upcoming collaborations with industry heavyweights in the pipeline, RUZE are cementing their status as a rising force in house music.

Ruze

Danny Snowden - A Bedfordshire (UK) based DJ & Producer. From a young age music took over Danny's life, learning the drums and dabbling in guitar and piano too, Danny was brought up around such a vast variety of music helping him to become quite a Versatile producer, which you can hear in his discography. His core musical persona has essence of the soulful and groovy tones of the classic 90s house music era, whilst fusing this with his own modern and energetic flick. Danny has had support from the likes of Prunk, Sidney Charles, Sarah Story & M-High to name a few. Danny is no stranger behind the decks, being a resident DJ with the ever rising event label Sulko, pushing a similar sound and energy from his productions into his DJ sets. However Dannys sound develops in the years to come, you can be sure there will always be a massive focus on groove and energy.

Danny Snowden

When introducing Somersault, it’s best to let the music do the talking. With chart-topping releases on respected labels like PIV, Audiojack’s Gruuv, and Ben Rau’s META, as well as remixes by legends such as Jimpster, Darius Syrossian, Kreature and Audiojack, Somersault has quickly become a rising force in the global house and UK Garage scenes.

Heavily influenced by jazz-infused house and the shuffling rhythms of 2-Step, Somersault straddles the line between delirious highs and murky lows, with a sound that’s brought his unique sets to some of the most respected outdoor festivals and underground clubs.  In 2025, he launched his own label, Alltalk, as a dedicated home for his eclectic and evolving musical vision.

From his early days as a session guitarist to establishing himself as a distinctive producer, Somersault has developed a groove-focused sound that is both timeless and innovative. His music has earned the support of industry heavyweights like Marco Carola, Archie Hamilton, Stacey Pullen, Prunk, Tobi Neumann, Groove Armada, John Digweed, Felix Da Housecat, Laurent Garnier, Karotte, Roger Sanchez, and Franky Rizardo, to name just a few.

Somersault

Karmina Dai

Toman

A DJ, producer and label boss firmly in the ascendency, Chris Stussy emerged onto the scene double quick time with a string of head turning house tracks, but what is important is that he has continued to back up that early promise years later. Now very much a key part of today’s house scene with a sound that is all his own, Stussy’s rise has taken him firmly into the spotlight as one of the scene’s most exciting names, and the Dutch wonderkid is only just getting started…

A long-standing love of early house music, but also raw production aesthetics and an understanding of jazz, disco and Chicago styles feed into his own unique take on the genre. As such, his sublime late-night cuts via the likes of Djebali, Moscow, Eastenderz, LOCUS, and PIV, where he is also charged with spotting new talent as the in-house A&R, often come with bumping drums and a bassline that is superbly slick and supple, whilst remixes for artists including the one and only Kerri Chandler welcome smart vocal samples and lush synth colours which add to the allure of his most seductive and warm house grooves.

As a DJ, Stussy is just as widely informed and draws on styles to suit the many different settings in which he plays. Main stages at Awakenings through to cult underground clubs such as Watergate (Berlin), fabric (London), Fuse (Brussels) and Elrow (Barcelona) all come under his spell in equally memorable ways, with tours of Australia, New Zealand, Asia and South America already in the books, plus regular appearances across Amsterdam’s finest venues. From long, slow, deep and tension building mixes to more high impact, quick chops and high energy cuts, he is a versatile selector who is always on the move.

And yet, after countless #1’s Stussy still continues to serve up heat at an alarming rate. Add to the mix the highly-anticipated launch of his own label ‘Up The Stuss’ - a vinyl-driven outlet for both Stussy and close friends and colleagues to release forward thinking, timeless club-driven productions from across the electronic sphere - and you begin to gain an understanding of just how well-rounded he is not only as an artist, but also as an A&R and a label owner. Yet despite being so prolific, the quality levels remain high, and while each new production shows a subtle evolution, they continue to feed into the singular Stussy sound that DJs and dancers have come to know and love.

Chris Stussy

Ray Mono is a core part of the underground scene; evolving, adapting, and leading from the front. Preferring rolling, infectious tunes that get under your skin and tease with warm bass lines and subtle percussion. His sound—both as a DJ and a producer— is fresh and on point, it is designed to get you dancing and keep you locked in the groove for hours on end. It’s about building a mood and moving you with invention and unexpected twists and turns that all tell a story. Having already released on the likes of Locus, OGE, Pleasure Zone, META, Do Not Sleep, Moxy Muzik, PIV plus many more including HedZup, Moan Recordings, Bamboleo and Tamango, each and every time he explores new ground but remains true to his signature sound and compelling sense of groove and emotion.

Sean Harrington

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