Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Stella Explorer

Framewerk

Max Denoise

Oliver Koletzki

Acid Pauli

A fascinating musical mind, HOSH crafts alluring sound waves that lift crowds with magnetism. Taking any audience on a galactic trip is no easy feat but after a decade of worldwide touring and dedication to the art, he makes it look simple.

It takes time in the game and understanding listeners to attain HOSH’s mastery of matching mood to production. With his German heritage, creative roots in Spain and a resolutely global outlook, HOSH has laid down his melodic marker on the scene, conjuring countless smiles along the way.

Residencies throughout Europe and an early membership to Diynamic with Solomun and Stimming provided the perfect catalyst for his music production to reach new levels. In 2020, he collaborated with 1979 on his biggest track so far ‘Midnight (The Hanging Tree)’ [feat. Jalja] which became the #4 most played record of the year on the UK’s primary radio station BBCR1 and subsequently amassed over 40 million Spotify plays to date. Through his relentless pursuit of quality - travelling to the very essence of a sound, capturing transient emotions and sculpting them for dance floors – the foundations have been set to propel HOSH to still greater heights.

HOSH

Dj Tennis is Manfredi Romano
Founder of Life and Death record label
Born in Italy, Based in Amsterdam and Miami

DJ Tennis

Ben Böhmer

Peggy Gou is a South Korean-born DJ, producer, and songwriter based in Berlin. During the 2010s, she became internationally renowned for her energetic DJ sets, which dreamily flow through various styles of techno, house, and electro. A 2019 volume of the DJ-Kicks series demonstrated her eclectic approach. Her own tracks, such as the acclaimed 2018 single "It Makes You Forget (Itgehane)" and 2021's "I Go," are vibrant, joyous productions that echo vintage deep house and post-disco without sounding like throwbacks. Taking her sound in a more accessible direction, she released the dance-pop single "(It Goes Like) Nanana" and the Lenny Kravitz collaboration "I Believe in Love Again" in 2023. Both tracks were featured on I Hear You, her 2024 debut album.Gou seemed to appear out of nowhere in 2016, releasing no less than four 12" EPs of bright, slightly hazy house tracks during the course of the year. In actuality, she had been producing and DJing for several years -- she learned to beatmatch in Korea in 2009 and resumed the hobby a couple years later, when she was attending the London College of Fashion. After racking up gigs during the next few years, as well as moving to Berlin, she made her breakthrough in 2016, releasing two Art of War EPs on Radio Slave's Rekids imprint, "Day Without Yesterday" on Phonica White, and Seek for Maktoop on Technicolour. She also played dozens of gigs across the globe, including dates with Moodymann, the Blessed Madonna, Jackmaster, and others. Following an even busier 2017, which included her first American tour and a month-long BBC Radio 1 residency, Gou returned to the studio. Her Once EP was released by Ninja Tune in 2018, led by "It Makes You Forget (Itgehane)," a catchy single featuring Gou's Korean-language vocals. "Travelling Without Arriving" was issued by Phonica White soon afterward. In 2019, she released the two-song Moment EP on her own Gudu Records, as well as her first mix CD, a volume of !K7's long-running DJ-Kicks series. She was featured on "Jigoo," the lead track from Maurice Fulton's Gudu-issued Earth EP, in 2020. The following year, Gou released the downtempo single "Nabi" (featuring OHHYUK) and the electro-disco tune "I Go." Remixes of the song, by Soulwax, DJ Koze, and Fulton, appeared in 2022. She remixed "Can't Get You Out of My Head" by Kylie Minogue the same year. Gou made her mainstream breakthrough in 2023, when "(It Goes Like) Nanana," a Euro-dance-influenced single issued by XL, went viral, eventually topping club and pop charts around the world. She followed the hit with "I Believe in Love Again," a collaboration with Lenny Kravitz. I Hear You, Gou's debut full-length, appeared in 2024, including both previous singles as well as the trancey, festival-sized anthem "1+1=11." ~ Paul Simpson

Peggy Gou

34-year old NIKO SCHWIND was born in Trier – the birthplace of Karl Marx – and very quickly discovers his own personal “Capital”: his love for music and passion for sound. In 2001 he first got the chance to express these true feelings in public. Since then, the same mission was to stretch through his biography like a red line: to invite people on the dancefloor on a journey, to tell them a story with his music. Now, in 2011, Niko has just released his second album on Stil vor Talent, anLP that is destined to catapult him into the ranks of the top DJs and producers.The young and passionate DJ quickly made a name for himself in and around his hometown. People spread the word of his enthusiastic DJ sets, of his charismatic appearance, of his skill to transfer the energy of house and techno sounds straight onto the dancefloor in order to create a connection between DJ and crowd. Soon enough, NIKO SCHWIND starts to play in clubs outside of Trier, in Hannover, Leipzig und Cologne as well as Catania and Belgrade. Big events such as the Alive-Festival, Sonne Mond & Sterne, Nature One or Mayday Poland, moreover, book him. In 2007 Niko moves to Berlin and quickly begins spinning records in prestigious clubs such as Bar 25, Club der Visionäre and Watergate. In February 2009, Niko lands his first bookings in South America, a place that he already revisited in October 2010. His reputation opens the door to the famous Vegas club and D-Edge in Sao Paolo, Brazil. Paired with a hectic touring schedule of Europe that has culminated in sets at Batofar in Paris, Studio80 in Amsterdam or Hive in Zurich, Niko has become a presence at the world’s top party locations.It is safe to say that if DJing was his first love, production is his hot love affair. NIKO SCHWIND starts producing in 2004, intensely working on sounds and patterns that will make his productions stand out among the vastness of contemporary electronic music. Everything that he experiences out on the dancefloor is transferred into his productions. His first EPs on Autist Records, on which he subsequently released his debut LP in May 2009, gather the attention of many top DJs such as Jeremy P. Caulfield, Ivan Smagghe or Mendo. It is only a matter of time until Oliver Koletzki takes notice of Niko’s productions and DJ sets. In the past two years, he has consequently released two singles on Stil vor Talent that showcased his transition from a minimalistic tech house sound to mature, melodic house music, something that will be strengthened further by a forthcoming EP on Stil vorTalent in June.In the spring of 2011, Niko released his second album Good Morning Midnight on Stil vor Talent. T he album features collaborations with vocalists such as Fran, but also with other producers like Channel X, Patrick Blasa or Oliver Koletzki. Overall, it is evident that NIKO SCHWIND can be classed one of the most prolific house producers out there, with a stylistic breadth ranging from gentle vocal house to techy peak time anthems. It seems as if Niko approaches his productions with the view of a DJ and, vice versa, reads the dancefloor as a schooled musician – a talent that makes him truly unique.

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