Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Dany Holm

Douglas Greed

World renowned DJ and producer, Hot Creations label boss, founder and curator of the Paradise global event series and a member of cross-genre band Hot Natured, over the last decade Jamie Jones had pioneered his own distinct sound that has paved the way for a warmer, more melodic, side of techno to emerge.

Jamie Jones

Oliver Schories

Dole & Kom met in Berlin’s Delirium record store, where both work as vinyl dealers. Complementary music taste and an evolving friendship are the basis for numerous mutual DJ gigs at all the mayor clubs around, like Tresor, E-Werk or WMF. Producing under the moniker Clubheroes, their first single ‘Dum Dum’ is released on Chicago’s prestigious Relief Records. Also, they join the artist roster of legendary Formaldehyd Records.
The own label BCC Music is the next step in their artistic career. Founded in 1996, it is the creative launching pad for a massive output. The duo’s probably most famous project is Studio 45 with tracks being released on Azuli, Nervous Records and David Morales’ Definity Records. The title ‘Freak It’ even hits the Top 40 in the UK.
With their unique and independent style Dole & Kom match the musical ideal of Acker Records perfectly. There, they release their EP ’Trompetenkrähe’ incl. the Club Hit ́Quetschkommode!’. 2012 they become an inherent part of the 3000° ensemble, perform at the legendary Wanderzirkus, Fusion, the 3000°Festival and SOS U.Ground. Furthermore the guys are touring worldwide with gigs in Hong Kong, Dubai, Turkey, Romania and Mexico. They release EPs on Voltage Musique Records, Bondage Music, Material, Formatik and their worldwide club hit ’Phara - Oh’ on 3000° Records (22 mio. plays on Youtube and 16 mio. on Spotify). Dole & Kom are also popular remixers. Highlights are their Reworks for Seth Schwarz or J.Patterson on Acker Records and Acid Pauli & Monolink on 3000Grad.
In 2019 the duo came up with their much noticed first album called 'Twenty Five' on 3000Grad Records. Followed by their smasher EP called 'Together Onetime' via Bar25 Music (hits the Beatport Charts for 6 month, listed in the main Spotify playlists).
After some long and productive studio sessions during the 2020 lockdown, new EP’s on Bar 25 Music, 3000 Grad Records, Sirin Music, Acker Records, Yion Music and several remixes was released in 2021/22.
While ‚Phara-Oh’ is still performing double digit millions, this summer brought back another well-known track from Dole & Kom. After this years festival seasons massive support from major league DJ's like Solomun, Hot Since 82, Bedouin, YokoO, Acid Pauli or Butch, who also delivered a fantastic Remix, their Bar 25 classic „Together Onetime" climbed back to the Beatport Top 50 and hits 6 million plays on Spotify. 2023 sees Dole & Kom launching their new home base ‚Smoking Hot Records

Dole & Kom

In the first three years since inception Third Son has swiftly become a globally recognised artist, revered for his laser-precision DJ sets and his broad musical range, coupling deep and hypnotic melodies with four to the floor techno and the occasional breakbeat.

His father, himself a professor of music, made sure Joseph was trained classically in the art from a young age. His youth interests took him from jazz to rock and further but it was Radiohead’s ‘Kid A’ that was the real rite of passage, with its blurring of electronica and rock shaping something of a revelation for him.

With a hefty number of releases under his belt and support from some of the industry’s key players, he has broken more ground than most in such a short time. Now he looks to develop his skills further, with a live set of his own material and a series of ambient works, he is piquing ever more interest from his fans and garnering him new ones alike. Whether it is in the studio or on stage, Third Son’s goal is simple: to make the best music he can.

Third Son

Jonathan Kaspar is an integral part of the scene in Cologne. He is a resident at the city ́s renowned Gewölbe club, one of the current main figures at the legendary Kompakt label and the main resident of the airport event Hawā.

Jonathan releases his music with Kompakt, Innervisions, Crosstown Rebels or Cocoon and remixed the likes of Acid Pauli, John Digweed, Joris Voorn, Kölsch, Sven Väth, Tiga and many more.

He prefers playing all night long or extended DJ sets, showcasing all the music he loves.

Jonathan Kaspar

David Keno

Wally Lopez

Martin Landsky has now been living and breathing underground house and techno for almost three decades. Sure, when he first started out in the early eighties he was mainly playing to school friends, but dance music and DJing had already got him under their spell, and it’s been that way ever since. After experimenting with homemade mixtapes and breakdancing in local crews, house and techno arrived in his Hamburg hometown and he fell immediately in love. Soon graduating to playing ‘proper’ DJ sets in clubs around Germany, Martin was amongst the first to be playing these new electronic sounds and even had his own night at the legendary Front Club, where he became known for his fresh selections. Now, years later, there is barely a club or festival anywhere in the world that he hasn’t headlined.

Largely inspired by black music, it wasn’t long before Martin began crafting his own productions and a debut release came in 1997 on MC Projects London. It was the start of what has turned out to be an illustrious production career that now takes in underground hits like ‘Bloodhound’ (which was remixed by Steve Bug and got re-released as a certified classic in 2009 on an esteemed Decks Records sub label) as well as the huge underground anthem that joined together DJs from all backgrounds, namely the ubiquitous ‘1000 Miles’ on Poker Flat.  A key member of Steve Bug’s Poker Flat family, Martin also released his debut LP, In Between, on the same label in 2001. Other successes that define the slick, sleek and seductive house and tech fusions Martin serves up are ‘The Composer’, also on Poker Flat , ‘Morning Caffeine’ on Mobilee and many more besides. What’s more, as a remixer, Martin’s unique touches have been put on music by everyone from Booka Shade to John Tejada, Miss Kittin to Pan-Pot.

“I like to experiment,” says the Berlin based Martin. “I don’t follow one style. I have no templates at all, but my music has to be deep and has to have balls.” Anyone who has danced to one of the man’s considered and coherent sets around the world will attest to that: they are compelling things that call up a diverse array of genres, not just the latest big hits, and importantly never lose sight of an essential groove.

In the background to all this, Martin has also worked for Container Distribution and later for Word And Sound – one of the world’s largest distributers – since 1995, but has also been boss of his own label. Effortil Records (later renamed Intim Recordings) ran from 1998 until 2002 and was responsible for Phonique’s very first two releases as well as Marco Resmann’s debut and won plenty of acclaim with DJs and dancers alike.

Martin continues to work on new EPs and exciting collaborations and after so long in the game has a truly 360 degree understanding of dance music. It is for that reason that he is such a vital part of house and techno’s underground world.

Dany Holm

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Electric

Honey Gloom (Dany Holm Ignition Remix)

New Normal

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