Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Oculus

Martin Eyerer : DJ / Producer / Mastering Engineer  / Labelwoner of Kling Klong Records & Session Deluxe Recordings

When Martin Eyerer tells a story, everybody listens. Martin reports of his journeys throughout the continents, telling stories of wil..

Martin Eyerer

Sergio Pardo

Gene Karz is a DJ-producer. Techno / Hard Techno - producers.

Released on such labels as : Eclipse Recordings, Respekt Recordings, Black Square Recordings, Reload Black Label, Renesanz, Organism, Naked Lunch, Italo Business, etc.

His Music is supported & Played by : Adam Beyer, Alan Fitzpatrick, Sam Paganini, SNTS, Indira Paganotto, Nicole Moudaber, Ramiro Lopez, Sasha Carassi, Richie Hawtin, Spartaque, Luigi Madonna, Paco Osuna, Gary Beck, Hans Bouffmyhre, Spiros Kaloumenos, Alex Di Stefano, Tom Laws, Dubfire, Balthazar & Jack Rock, AnGy KoRe, Marika Rossa, Dualism, Spektre, Axel Karakasis, Mattew Jay, etc.

Gene Karz

Exos stands as one of Iceland's most revered techno artists, with a career that stretches

back to the mid-nineties. Over the years, he has released more than thirty vinyl releases

and four albums. His journey began at the age of 17 with his debut EP on Thule Records,

an Icelandic dub techno label known for its unique minimal sound.

Exos is bringing his unique sound to renowned labels such as Figure, Delsin, трип records, BPitch, Mutual Rytm, and Tresor Records. While exploring these diverse platforms, he remains dedicated to his own label, Planet X, which delves into the harder edges of his sound. There, he consistently pushes the boundaries of techno. His enduring appeal lies in his relentless innovation and commitment to his roots, solidifying his place as a pivotal figure in the techno scene. His ability to adapt and innovate across different styles highlights his enduring impact on the electronic music scene.
Collaborators:
Arnvidur Snorrason

Exos

Solander

Thomas Schumacher was eleven years old when Depeche Mode released Construction Time Again. "I'll never forget sitting at home, listening to the album in my headphones, trying to figure out how they made those sounds."
Thirty-five years later, Thomas Schumacher still burns with curiosity. The Berlin-based DJ and producer makes light of his status as one of the most successful, versatile artists in electronic music. "What I love about Techno is that it demands that you constantly challenge and reinvent yourself."
Thomas Schumacher is always pushing his own boundaries. "The art of being relevant," he says, "is to repeatedly forget what you know.” In his early days producing music, he had to learn how to physically create the sounds he heard in his head. Now, as a virtuoso, the challenge is to use his breadth and depth of musical knowledge to convey profound emotion. "Techno is not just a tool to make people dance" he says, "it is a very personal, intimate way of connecting."
This intimacy fuels the unique vibe of a Thomas Schumacher DJ set. He likens what he does to being the captain of a ship. “I purposely steer my sets into rough waters. I want to help people get out of their heads and into their bodies. I create a safe space for people to lose their minds, in the best possible way. They know they don't need to worry or be afraid, because I’ve got them. I know what I'm doing. They can let go and just be."
When not guiding clubbers through seas of sound, Schumacher reaches them via his productions on labels like Drumcode; Arts, Noir Music and his own label Electric Ballroom. The more he creates, the more there is to explore, the more opportunities to invent, connect, and imagine. "I am always the one to change it up," says Thomas. "My ongoing ambition is to connect with the people, every single time. Thats why I do what I do and love it so much. I have never seen a reason to compartmentalise my music and my life. Everything is energy and everything is connected."
On Beatport Thomas’ remix of the classic “The House Of House” became his third number one hit within the past 24 months after “Stella”- a propulsive anthem dedicated to his daughter and “Wonder”, his collaboration with Victor Ruiz - once again reinforcing his place as one of the Techno greats.

Thomas Schumacher

An extra enigmatic figure in the second generation of Techno producers to emerge from the electronic music explosion of the late 1980's and early 1990's, Cari Lekebusch has sustained over thirty years in music through an unwavering commitment and an unquenchable desire to constantly move things around. Credited as being one of the figureheads of the globally influential Swedish Techno scene that subsequently spawned internationally recognised names such as Abi Bah, Adam Beyer, Alexi Delano, Alexander Johansson, Aril Brikha, Benjamin Mull, Danijel Alpha, David Roiseaux, Glenn Wilson, Gragee, Jesper Dahlback, Jean-Louis Huhta aka Dungeon Acid, Joel Mull, Kimono, Mighty Thor, Mattias Fridell, Nihad Tule, Nima Khak, Petter B, Pär Grindvik, Robert Leiner and Samuel L Session. Lekebusch's standing as a studio scientist and production authority is well documented. He has been a member of many groups and borne many pseudonyms over the course of his illustrious career.

Cari Lekebusch

Having mastered the art of modern production, Belgium’s Olivier Grégoire has become one of

the world’s most renowned dance music artists, with a bevy of high-profile releases under his

various pseudonyms. You may know him as Kolombo, the house player with a discography that

charts esteemed imprints like Kompakt, Turbo, Diynamic, Noir Music, Suara, Snatch!, Sweat

and most recently Dirtybird, with the summer 2018 single “It’s Gettin’ Hot.” Though he’s also

made waves as the LouLou Players with his partner Jerome. Together they’ve toured the world,

and launched the LouLou Records imprint, a house label with several releases from Kolombo

and the Players.

With shows at Belgium’s Tomorrowland, all across America, in Russia, Australia, and in the hip

party capital of Berlin, the past few years have seen Kolombo’s star continue to rise as a DJ

almost everywhere. But especially in South America, where he regularly plays major festivals

and clubs.

Last but certainly not least, Grégoire is also part of the highly touted Mugwump outfit, a leftfield

house duo launched with Belgian dance music pioneer Geoffroy Mugwump in 2008. Together,

their recordings have landed on electronic music’s most discerning labels, including DJ Hell’s

Gigolo, as well as Kompakt, R&S, Cocoon, !K7, Throne Of Blood, Misericord, International Feel, Permanent Vacation and Endless Flight.

Kolombo

Marcus Meinhardt

Boasting a nimble, dexterous and always scrupulously-produced sound aesthetic, his unique way of working quickly brought him to the attention of globally-esteemed labels a la Boxer, Systematic, Southern Fried, Bpitch Control, Suara and Mau5trap, with tracks such as ‘Kore’, ‘Milk’, ‘America’ and ‘Lynchesque’ quickly cementing his name into the hearts and minds of the global electronic music scene.

Alongside his solo releases, Dusty Kid is also an impressively consistent remixer, putting his own stamp on music by the likes of Moby, Armand Van Helden, The Pet Shop Boys, Booka Shade, Robyn and Simian Mobile Disco over the years.

An endlessly consistent purveyor of up-front club fare, Lodde is just as comfortable producing techno-focused records as he is more pop-orientated records, a way of working that’s in keeping with his refreshingly unpretentious take on music.

A truly versatile musician who’s never been shackled by convention, it’s Dusty Kid’s eclecticism and ability to embrace new sounds that means he continues to stick out from the crowd. A musician who continues to electrify and innovate at a rate that would make most of his peers blush, Dusty Kid truly is a talent worth embracing.

Oculus

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