Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Tom Peters (BER)

Change is inevitable, and nowhere is this more prevalent than in the world of dance music. Analog gives way to digital, trends come and go, yet NYC’s DJ Joeski remains at the top of his game, and now, in the midst of his third decade as one of house music’s most sought-after stars, his momentum shows no signs of slowing.

Joeski’s trajectory can be traced back to 1991, when he burst onto the NYC house music scene as a founding member of The Chocolate Factory DJ collective. He delighted crowds at Limelight, Tunnel, Palladium and NASA, helped turn “Save The Robots” into a NYC afterhours institution and earned his first residency at “Together” parties at the legendary Roxy, playing alongside the likes of Danny Tenaglia, Louie Vega and Roger Sanchez.

Already a fixture on the U.S. and Canadian club circuit,in the late 90’s Joeski added production to his repetoire, building his own recording studio and spending the next few years mastering his craft. In 2000 he burst into the clubs and onto the charts with hit after hit on Electrik Soul, Siesta, Chez and Camouflage, emerging as one of the most sought-after DJs, remixers and producers in the scene.

In 2001 Joeski launched Maya Records, with releases like “Hustler’s Revenge” and his collaboration with DJ Chus on “El Amor” propelling the label onto the forefront of the U.S. house music sound that would become a global phenomenon and win him worldwide acclaim from clubbers and fellow DJs alike.

Demand for his studio skills grew exponentially over the next decade, with Joeski producing and remixing for the likes of NRK, Ministry of Sound, Defected, Bedrock, Nervous, Cajual and KMS ,helping catapult him further into the ranks of the house music elite.

Entering its 16th year, his Maya label continues a steady output of quality material that remain fixtures on the Beatport and Traxsource tech and deep house charts, with a robust release schedule that shows no signs of slowing any time soon.

January 2017 began with Joeski once again hard at work in the studio, teaming up with Harry Romero (as HR+Ski) on “Dem Tings” for Maya, working solo on “Lessons in Dub” for Poker Flat and also releasing the 14th installment in his “Maya Sessions” podcast on Pioneer DJ Radio.

The new music and remixes continued with the release of “Mind Function” on Maya and “Tribute to Obatala” on Crosstown Rebels, dropped by Pete Tong on his BBC Radio 1 show in February.

Joeski’s touring schedule continues to be as prolific as his studio output, headlining clubs from Acapulco to Helsinki plus a booked-out week spent at Miami Music Week 2017. In March all three tracks from “Tribute to Obatala” simultaneously climbed onto Beatport’s Tech House Top 100, with Joeski ending the month as featured artist on John Digweed’s “Transitions” podcast.

New music continued to flow in April including the release of Dancing in Space” on Kinetika and “Deep Elements EP” on Kitball, while “Mind Function” on Maya climbed into the Traxsource Tech House Top-10. Returning home from a tour of Mexico Joeski hit the studio once again, jamming with SF’s legendary Doc Martin on an upcoming collaboration and putting the finishing touches on his next solo Maya release.

This summer Joeski will once again be a fixture on the global tour circuit with performances at both Do Not Sleep and Dennis Ferrer’s Misfits Party in Ibiza, extensive tours of Australia, New Zealand, South America and Europe while back stateside he and Harry Romero continue their monthly Yage night at Brooklyn’s Output.

Fueled by his genuine love of the music, there’s no doubt that Joeski will continue to evolve both behind the decks and in the studio, captivating new generations of club-goers and maintaining his place as one of dance music’s most enduring talents.

Joeski

Every artist leaves a mark, and Mihai Popoviciu’s is unmistakable. For almost two decades, the Romanian producer and DJ has crafted a signature style—deep, hypnotic grooves, pinpoint precision, and an energy that commands the dancefloor.
Growing up in Sibiu (Romania), a city far removed from Europe’s electronic epicenters, Mihai’s passion for house and techno was born in isolation. The ‘90s saw London, Berlin, and Ibiza booming with dance music, while he was left scavenging for whatever sounds he could find. “We’d record German TV shows onto cassette and play them on repeat,” he recalls.

With no club scene in sight, Mihai’s DJ dreams seemed like a long shot. “I couldn’t DJ because there were no clubs,” he laughs. But software was within reach, so he made music. Refining his sound track after track, in 2005, his music found a home on International Deejay Gigolo. From there, he became a fixture on labels like Highgrade, Poker Flat, Bondage Music, Berg Audio, and his own imprint, Cyclic, founded in 2012.

Patience and persistence paid off. Once purely a producer, Mihai soon stepped behind the decks, learning the art of DJing on borrowed turntables. His transition from the studio to the club was seamless. Soon, the world took notice. Over the past decade, Mihai Popoviciu has solidified his status as a leading figure in the electronic music scene. Now, his name graces the lineups of the most revered clubs and festivals worldwide.

Mihai’s mission is simple: to share the joy and energy that fuel his passion. “Seeing people dance, smile, and lose themselves in the music—that’s what it’s all about.”

Whether commanding an underground club or a festival stage, Mihai’s sound remains unmistakable. “He had it from the start,” says friend and agent Benny Grauer. “You always know when it’s Mihai. And it’s always on point.”


Instagram: https://www.instagram.com/mihai_popoviciu
Facebook: https://www.facebook.com/mihai.popoviciu
SoundCloud: https://soundcloud.com/mihai-popoviciu-1
Booking: Benny Grauer - Still Hot Berlin,  booking@stillhotberlin.com

Mihai Popoviciu

For all of Matthias Tanzmann’s achievements, the future is showing even further excitement and evolutionary growth. He is known as a global leader of the Tech House scene and is synonymous with Moon Harbour, his influential and soon-to-be 25-year-old record label that has already put out over 100 vinyl releases and more than 200 digital tracks. Like Matthias who first broke through as a DJ at the end of the 1990s, it constantly evolves, adapts and leads the scene from the front.

Matthias Tanzmann

Berlin based duo Mat.Joe are the latest addition to the FMLY roster. Coming from a background of rap, skateboarding and breakdancing - influencing their style of House today. From their roots as hip hop producers they have moved to producing and playing crispy Housebeats paired with rhythmic Soul and Hip Hop elements. The result is deep and dancefloor-qualified, warm and rough.

Being best friends and moving from Hannover to Berlin to follow their sound - you can see their passion and comaraderie behind the decks. Being inspired by the Berlin culture and every day places such as subway rides, late night showers and favourite bars, their music has taken them on a journey.

Mat.Joe

Gaga

Alberto Ruiz

André Butano, Productor y DJ chileno, nacido en Santiago de Chile.

Sus inicios de vida profesional fueron en el mundo de la gastronomía. Sus estudios de cocina internacional lo llevaron a trabajar en los restaurants más famosos de Santiago. Es durante esta etapa que ante la ausencia de un DJ para amenizar la jornada, que se atreve a entrar en el mundo de los discos y de las mezclas. Butano rápidamente se estableció como un talento en la escena house underground de Chile.

 

Actualmente es residente y colaborador en La Feria, el único club de nivel internacional del país y además es dueño de su propio sello, 'Posay Music'. Su inspiración proviene de artistas tales como Depeche Mode, New Order y Kraftwerk. Su gusto evolucionó de manera rápida así también su admiración a los héroes locales, los productores nacionales Luciano, Ricardo Villalobos y Dandy Jack.

 

Su estilo es del gusto de muchos, ya que sus sets siempre han sido liderados por sonidos tech house y house grooveros, apoyados por fuertes líneas de bajos, percusiones animadas, ritmos y melodías orgánicas. La marca que lo ha hecho famoso ha sido el uso de sus propias vocales en tracks de su autoría. Los tracks de Butano han sido publicados en los sellos más prestigiosos de la escena, tales como

8bit, Cadenza, Kling Klong, Circus Recording, Highgrade, Robsoul,

Trapez, Resopal, Bla Bla, Mindshake, además de sellos contemporáneos tales como Deeperfect, Relief, NonStop, Roush, Moan, Noexcuse, y Desolat, por nombrar algunos.

 

Sus tracks son tocados por algunos de los mejores DJs del circuito como Luciano, Marco Carola, DJ Sneak, MANDY, Paco Osuna, Mathias Kaden, Dubfire, Nick Curly, Reboot , Richie Hatwin, Karotte, Laurent Garnier, Audiofly, entre otros.

 

Esto lo ha llevado a compartir escenarios con artistas tales como Carl Cox, Luciano, Ricardo Villalobos, Danny Tenaglia, John Digweed, Pete Tong, Sven Vath , Marco Carola, Paco Osuna, Hernan Cattaneo, Richie Hawtin, Dubfire, Steve Lawler, DJ Sneak, Michael Mayer, Felix Da HouseCat, Tiga, Stefano Noferini y muchos más.

 

Su carrera también lo ha llevado a tocar en toda Sudamérica siendo parte de algunos de los principales festivales como Creamfields, Mysteryland y Ultra Festival. En cuanto a clubes, su residencia en La Feria marca la pauta, además de D-Edge (Sao Paulo), Crobar, Pacha, Bahrein y Palacio Alsina, Radio Berlín & Vlak (Bogotá), Terraza (Camboriu), Bizarro (Lima), Terraza (Uruguay). Butano también protagonista en "Vagabundos”, evento creado por Luciano, donde ha participado junto a él por casi 5 años.

 

En sus tour europeos ha tocado en múltiples destinos, comenzando por el mundo de Ibiza en Amnesia, Space, Hï Ibiza, Pacha, Ushuaia Destino, Sankeys, Zoo Project,

 

Privilege y en fiestas como Music On, Vagabundos, Luciano & Friends e Ibiza Global Radio. Además, en Barcelona ha estado presente en Off Sonar, CityHall y en el ya mítico Club4, invitado por el mismo Paco Osuna. Otros clubes que han visto su talento son Macarena, Red58, La Terraza y en Madrid, Fabrik Vagabundos 2017/2018 y Studio 76.

 

De sus visitas a Berlín, podemos hablar de Club Der Visionare, Chalet, Hoppetosse, Wilde Renate. También ha estado en Studio 80, Rootzoo Fest en Amsterdam, Egg London (Londres), Pratersauna (Viena), Folklor, La Ruche (Laussane), Friedas Buxe (Zürich), Mood (Canarias) y Greenworld (Tenerife).

 

Butano sigue creciendo como DJ & productor ya que su gran

pasión por la musica lo ha potenciado cada vez más en la escena electrónica mundial.

Andre Butano

Denney

Growing up with a father who ran a radio station instilled an eclectic musical ethic in Dodi from an early age, giving him a strong foundation from the very start. For many years, he was a core resident at various clubs in Southern Italy, where  he would often perform marathon sets—up to eight hours long—exploring a wide range of genres. This formative experience allowed him to master the art of guiding a dance floor through an unpredictable yet fulfilling journey that

transcends conventional genre boundaries.

Dodi describes himself as an artist devoted to eclecticism as a form of self-expression. In a recent interview, he elaborated on his unique approach: “I started DJing more than 20 years ago, and from the beginning, I was drawn to

blending different genres and sounds. DJs play a crucial role in sharing music with people. I listen to a lot of music daily, which helps keep my perspective broad during the music production process. I enjoy experimenting and avoid being confined by classifications, even though it can be risky since the audience may not always know what to expect. But for me, it’s the only way to make music—I have to enjoy it first and foremost.” In addition to his DJ career, Dodi runs the label Engrave Ltd alongside his friend Musumeci, further contributing to his

diverse and dynamic musical journey.

Tom Peters (BER)

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