Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Omar Deaz

Fede Aliprandi

Nate Chapman (US)

But Sidney Charles in his age of twenty-something already looks into many happy faces, when he enters the decks. Everybody, who understands this love-binding kind of music, has to live the urban movement behind it, the culture that brings people of all kinds together. Exactly these motions are fascinating the young man, born as Sidney Charles Hurricane Vieljans in Hamburg, Germany.

With the age of 15 Sidney Charles discovered the magic of the two black discs spinning on the 1210s. At the beginning Hip Hop, Soul, Funk, Breakbeat and Turntablism was Sidney´s medium to express his emotions. Highly delighted and inspirited by the time of late 80s and early 90s, when the movement, accompanied by young culture, began, Sidney Charles was finding the higher BPM-numbers of House & Techno were leading to more inspiration and happiness.

He is not a musician, nor a percussionist. He is a collector. A collector of culture and experiences. The energy and feeling around the music is what makes the difference and letting Sidney Charles not be one of manys.

Sidney Charles

Kevin Knapp is one of tech house’s greatest chameleons. Between his coveted work with Jamie Jones’ renowned Hot Creations imprint, to Dirtybird, DFTD, Truesoul, and more; Knapp’s solidified an effervescently amorphous standing as a commanding force in the subgenre, dominating club floors across the world in the interim.

After cutting his teeth in San Francisco throughout the oughts, Knapp moved to Berlin and went on to debut a multitude of records, including his Hot Creations’  record “Heft” that became the catalyst for Knapp’s more global success. Relocating to Europe in early 2013 had brought about friendships with the likes of Pan-Pot, Tiefschwarz, and Sacha Robotti. Not only has Knapp become a fixture on the global circuit and a club scene heavyweight over the years, but his collaborations have come full circle; he’s collaborated once again this year with Audiojack on a new piece called “Implications.” It’s through both Knapp’s willingness and wholehearted desire to represent the underground that he is poised to forever succeed.

Kevin Knapp

Tuscany-born but now based in Barcelona, Faraone grew up with a DJ father and folk singing grandfather so was always bound to end up in music. After early forays into hip hop and drum & bass, it was techno that stole his love and soon saw him becoming a resident at Florence’s globally-renowned Tenax club. His regular sets saw him graduate from ‘crafty up-and-comer’ to one of modern techno’s most recognised and respected names with sets at Fabric, Panorama Bar, DC10 and many more of the world's most famous clubs.

Testament to the diversity of his sound is the range of different labels he has released on, from techno favourites like Rekids and Drumcode to the iconic house of Defected. His own UNCAGE is now at the heart of the underground thanks to a steady stream of music from the legendary likes of Radio Slave, Mark Broom and Donato Dozzy next to new school talents such as Flug, Anfisa Letyago and Marcal. His famously creative and relentless output continues at the end of 2022 with a track on Alan Fitzpatrick's We Are The Brave, a remix of The Advent on his own UNCAGE label and new music on Drumcode and Filth On Acid. The new year brings a remix for Eats Everything on EI8HT and a track for the Rekids 50th release anniversary compilation as well as much more besides. All this proves that Marco Faraone very much embodies the sound of contemporary techno.

Marco Faraone

Steve held a residency for 9 years at Space, Ibiza, earning himself the title ‘King of Space’. He had similar success stories with residencies at The End, Cream, Home and more.

VIVa Warriors is most well-known for being the flagship night of Sankeys Ibiza from 2012-2016. The party pulled in huge names like Eats Everything, Skream, Derrick Carter, Groove Armada, Pete Tong and Hot Since 82. Steve is also a regular in Ibiza for the likes of Ants/Paradise/Elrow, not to mention he plays at some of the World’s biggest festivals; Lovebox, Ultra, Resistance, Mandarine Park, Eastern Electrics, Creamfields, Parklife, Hideout &  more.

Steve’s incredible career became the subject of a dance music documentary, ‘The Art Of The DJ’, describing Steve's ascent through dance music’s formative stages, before reaching his current status.

Steve Lawler

Eskuche has created a legacy that stretches across house music’s most distinguished taste-making imprints and fabled stages. Effortlessly capturing the ephemeral qualities of Miami, New York, and Ibiza, his sound drips with slippery percussion and raw soul-snatching basslines.

His solo debut, “Into It,” received heavy support from techno titan Marco Carola. Several years of marathon releases on labels like Repopulate Mars, Nervous, and Hot Creations followed. His 2018 release for the latter, “Activator,” became a massive success, staying in the upper echelons of house music charts for several weeks and solidifying Eskuche’s trademark rough-and-tumble tech house style. In 2019 he hit it big again with “Passion” on Hannah Wants’ Etiquette. The track enjoyed widespread acclaim and sustained support from industry heavyweights such as Gorgon City, James Hype, Floating Points, Mark Knight, Sasha, and Four Tet, who notably included the track in high-profile performances at major international venues.

Eskuche has led the lineups of international festivals and clubs, including elrow, Electric Zoo, Paradise NYC, Kolour Festival Thailand, Ubbi Dubbi, Ministry of Sound, Exchange LA, The Brooklyn Mirage, and Space Miami.

His aim to further push the underground led to the foundation of his new label Passion, where he hopes to add more fuel to his already breakneck release schedule and find new ways to pay forward the immense support he’s received from industry peers.

Eskuche

Javi Bora

In the words of Mike Tyson "If they pay me enough, I'll get in the ring with Jesse Perez". Legend tells it that Jesse was born in a rundown motel in Little Havana (A small latin neighborhood in Miami) minutes after being conceived. Son to a Local Pimp, (who is oddly 10 years older than Jesse) Jesse was exposed to the art of Slangin' D as a young boy. His mother who at that time was a stage dancer for a popular local rap group called the "2 Live Crew", would work many shows for these artist and would sneak Jesse in as often as she could. Jesse's first exposure to Bass Music and Ass Clapping made a huge impression on him. 15 years later, Jesse applied his childhood experiences towards the development of a new visionary company known as "Mr. Nice Guy" . Considered as one of Miami's most promising, and forward thinking companies since Bang Bros. Jesse has managed to not only run this company but also star in several successful "Mr. Nice Guy" films including "How To Name A Porno", "Slangin That D", "Tales From An 8th Street Motel" and "This Hoe Gonna Get Some Dick". Always setting the bar higher, and higher. Jesse is the true definition of a Dick Slanger. Homeboy don't mess around, he means business.

Omar Deaz

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