Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Arthur Robert

Setaoc Mass is an essential voice in techno and electronic music today. As a DJ, producer and label curator, his vision is bold and clear, rooted as much in techno as it is in IDM and experimental music.

Setaoc Mass

Donato Dozzy

Temudo

Croydon-born producer and DJ James Ruskin is one of the most respected figures in British techno, both for his Blueprint label and his own recordings, which are equally informed by the no-nonsense drive of the Birmingham sound as well as the adventurous sound design of Autechre. Consistently releasing quality material through Blueprint since the label's mid-'90s foundation, he's also issued several full-lengths and EPs through German institution Tresor, including 2001's Into Submission. In addition to releasing collaborations with Surgeon and Oliver Ho, Ruskin has also worked with Regis (Karl O'Connor) as O/V/R, and produced more experimental, IDM-leaning material with Mark Broom as the Fear Ratio.

Point 2
Ruskin began to DJ in 1991, and started producing in 1994, initially with studio partner Richard Polson. First releasing a 12" under the name Void in 1995, the two founded Blueprint in 1996, and started issuing records as Outline, quickly establishing the label's hard, uncompromising techno sound. Ruskin began releasing material under his own name in 1997, and his debut full-length, Further Design, arrived on Blueprint in 1998. Tresor released his next two albums, Point 2 (2000) and Into Submission (2001), and Ruskin continued issuing EPs on Blueprint and Coda. Ruskin and Blueprint went on a brief hiatus in 2006, following Polson's death due to natural causes, but Ruskin returned in 2008, issuing fourth full-length The Dash through Tresor. He formed O/V/R with Sandwell District/Downwards co-founder Karl O'Connor, debuting with Interior in 2009. This was followed by 2010's Post-Traumatic Son; the EP's title track was subsequently remixed by Robert Hood, Marcel Dettmann, and others.

Refuge of a Twisted Soul
Starting in 2010, Ruskin released several techno EPs with Mark Broom, and the two formed a more abstract, fractured project called the Fear Ratio, issuing debut album Light Box in 2011. The pair's second album, Refuge of a Twisted Soul, appeared on Skam in 2015, and Live E.P. surfaced in 2018. After going five years without a solo release, Ruskin returned in 2019 with Reality Broadcast Off (Blueprint) and Siklikal (Tresor). He kicked off 2020 with the Blueprint-issued Consumer Patterns.

James Ruskin

Augusto Taito

Fuse resident Altinbas is quickly emerging from the ever so interesting and fast developing Brussels’ scene from which he is actively part of through organizing his own parties. Honing his skills for years, he is renowned for his craftmanship both as a DJ and a producer. Releasing on acclaimed labels like Token Records, SK11 and Non Series are proof of his high quality musical output and authentic producing style. Always layered with researched and sculpted sound design on top of impactful and toxic grooves. As a DJ, Altinbas has a way of creating true journeys through carefully selecting cuts and layering them in an interesting manner, mixing compelling elements of each track on the decks to build new dynamics between them, forming a high energy experience with an ever-present underlying story telling by building different emotional phases. His new label Observer Station, home to his own creations, opened a way for him to release music without any external constraints and to keep exploring new grounds, soothing his musical curiosity without letting go of the more traditional function of dance music.

Altinbas

Kr!z has been at the forefront of techno for more than a decade. Influenced by the hypnotic & energetic sound helmed by veterans such as Jeff Mills, Steve Rachmad & James Ruskin, he steadily developed his identity in the international techno scene. After making a name for himself as a DJ in home country Belgium and the Netherlands, Kr!z launched Token Records in 2007. He rapidly established the label as a fixed value with a timeless & powerful sound & took it around the world with label nights on every continent. After 12 years spent assiduously focused on curating the Token discography, showcasing artists he has nurtured and supported over this time, and incorporating the connoisseur’s knowledge and experience he has cultivated in his work as a DJ, in 2019 he released his own debut EP ‘Mantra’ on the label, earning high acclaim from both media and key DJs. Since then, he has continued to develop a strong body of work, regularly releasing on the influential Blueprint Records and SK_eleven alongside his own Token imprint, and producing a series of notable remixes. This steady output has established him as a key figure within the techno landscape, recognised for both consistency and artistic depth.

Kr!z

Yanamaste

„When I produce music it’s an intimate process, and I nearly never think about a club situation or how people could react on the dance floor.“

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30YRS Fuse Compilation

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Iteration Of A Dream

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