Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Steve James

Jus Jack

Zeeba

Belle

DJ Jurgen’s musical journey began in the charming town of Delft, where he delved into the world of music, eventually landing a gig as a radio jock for CITY Radio The Hague. With his passion for music ignited, he soon found himself as a regular DJ at a prominent Dutch public radio station, earning his well-deserved credits in the radio industry.

As the 80’s drew to a close, DJ Jurgen embraced the vibrant Amsterdam dance scene, immersing himself in House Music and experimenting with his unique sound. His talent quickly caught the attention of various clubs, leading him to become a resident DJ at renowned venues like HOUR POWER in Escape at Rembrandt Square, Amsterdam, and ASTA in The Hague. At ASTA, he introduced his own concept ID, providing a platform for upcoming DJs to showcase their skills.

In the mid-’90s, DJ Jurgen’s passion extended to music production, setting up his own modest studio. His first release, “SHAKRA’S FEELINGS,” gained popularity in the underground scene and found its way onto numerous compilation CDs. However, it was in 1998 that he achieved a major breakthrough with his chart-topping hit “BETTER OFF ALONE,” propelling him to international fame.

 

His success opened doors to performances across the globe, from Japan and Hawaii to Dubai, South Africa, and the USA. Notably, DJ Jurgen was the first DJ/producer to receive a nomination for the IDMA award in Miami, further cementing his position in the industry with the follow-up hit “Higher Higher.”

In July 2005, DJ Jurgen continued to make waves with the release of “Wicked Waves” on the new Yakuza Label, followed by “Boyzz” on Spinnin Records in March 2007. Over the years, he has consistently released captivating tracks, including “Higher Love” in June 2008 and “Crazy Sexy Cool” in 2009.

Beyond his exceptional DJing and production skills, DJ Jurgen ventured into the world of radio. In 2005, he launched his daily morning radio show on Radio Fresh FM, hosting the popular show “ID” every Saturday night, featuring the latest club tracks and news. The show’s widespread appeal has attracted listeners from around the world, who tune in online to catch DJ Jurgen’s electrifying mixes on Wild FM ID.

As the journey continues, DJ Jurgen remains unstoppable,he continues to captivate dance floors with his infectious and energetic Tech House tunes.

DJ Jurgen

Guy J

From 2009 on, Rampa made a name of himself through Keinemusik, his own little d.i.y.-cosmos, being not only label, but also crew of likeminded DJs, producers and friends. The teamwork within this realm has seen a serious number of productions and collaborations, particularly with fellow producer &ME, not to forget the rest of the bunch, Adam Port, Reznik and Monja.

Besides, he’s got an array of other collaborations and releases under his belt, put out on imprints like Circoloco, Innervisions, Diynamic, Afterlife, Cocoon, Ninja Tunes / Counter Records, Strictly Rhythm, Kompakt, 2020 Vision, Freerange, Bpitch Control, Defected or Crosstown Rebels.

The events of the last few years have seen Rampa focussing more and more on the production side of things, be it studio time or the inauguration of the TEILE project – his own company to produce and distribute analogue effects, custom built for DJ-purposes. Certainly also an outlet for a slight nerdism, that includes not only studio gear, but instruments in general. When it comes to DJing itself, he is going for a less is more approach these days, choosing bookings and playing more consciously.

Rampa

Tim Green’s ability to effortlessly manoeuvre and experiment across the spectrum of electronic music has never been more evident than it is today. Whether putting out melodic house under his own name, reverberating techno under his alias APIR or writing radio friendly alternative pop music under the moniker Invisible Minds, his work is always stamped with fearlessness.

Tim's father – a keyboardist, kept the family home flooded with the sounds of Pink Floyd and Joni Mitchell. Learning guitar from the age of 8, Tim played in bands as a teenager, but it was upon hearing Daft Punk’s Discovery album that he was firmly bitten by the electronic music bug. ‘First time I heard Discovery, I was blown away by what I heard, but at the same time confused. I could recognise a lot of the samples they used, as I knew the originals so well from growing up. But I couldn’t understand how they made this type of music. It was all new to me, coming from a strictly live band background. So I made it my mission to find out how and try for myself!

Tim Green

Guy Gerber

An unequivocal industry visionary, DJ Hell's career has embodied and then transcended his many guises: Anti-Superstar DJ, International DeeJay Gigolo Label Boss, GQ Man of the Year, Playboy, Jetsetter, Bon Viveur, Munich Machine, New York Muscle. Seeing, and envisioning - that is of enormous relevance to Hell. He managed to convey pure artistic prowess as well as pure style during his thirty year DJ career. The individual look, the do-it-yourself approach, the elitism. That's how it grew.

Steve James

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