Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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The Shapeshifters

Kimberly Davis

Billy Porter

Teni Tinks

Fiorious

Aria Lyric

Ramona Renea

Adi Oasis

Joss Stone

Obi Franky

From an aspiring b-boy to working with luminaries Billy Porter, Joss Stone, Kimberly Davis and Teni Tinks, The Shapeshifters Simon Marlin delivers his brand-new studio album ‘Let Loose’.

Across the latest and long-awaited studio album ‘Let Loose’ The Shapeshifters pledge rhythmic allegiance to the golden era disco records and their spellbinding qualities; embracing the tension often found between tradition and future to craft a euphoric, certifiable body of work presented to the devoted audience he deserves. The Shapeshifters exemplify a scene in rude health, one that is now switching on an ever-younger fan base, and with Marlin being the beating heart of it it’s easy to see why The Shapeshifters are more in demand in the clubs than ever.

Layers of rushing strings, flares of brass and hedonistic grooves provide refreshing dancefloor power dynamics and deliver a liberating, triumphant and inherently uplifting record. Taking an impeccably smooth course through disco-infused house, The Shapeshifters continue the rich relationship with Glitterbox and its record label; one that has yielded instant classics that epitomise the label’s ethos for preserving disco’s mission to uplift and empower.


The Shapeshifters 'Let Loose'

1. The Shapeshifters featuring Kimberly Davis ‘Second Chance’ (The Shapeshifters Reprise)
Written by Simon Marlin, Colin Smith, Audrey Martells, Mike Greenly & Kimberly Davis
Produced by Simon Marlin (The Shapeshifters)
All Vocals by Kimberly Davis
Guitar, Bass & Keys by Colin Smith
Drums & Programming by Simon Marlin & Erik Machado
Saxes by Colin Smith
Trumpet by Simon Elms & Joe Auckland
Trombone by Mike Kearsey
Violins by Everton Nelson & Magnus George 
Viola by Reiad Chibah
Cello by Ian Burdge 
String & Brass Arrangement by Colin Smith
Vocals Recorded by Colin Smith & Simon Marlin
Additional Recording by Samuel Egglenton at Studio 13
Mixed by Erik Machado
Mastered by Kevin Grainger @ Wired Masters
Published by Defected Music, Freedurb Music (ASCAP), Trevelyn Rd. Music (BMI), Mike Greenly Music Inc. (ASCAP) & Copyright Control
P&C 2020 Glitterbox Recordings

2. The Shapeshifters featuring Joss Stone ‘Bring On The Rain’ (Extended Mix)
Written by Joss Stone, Simon Marlin, Colin Smith & Audrey Martells
Produced & Arranged by Simon Marlin (The Shapeshifters)
Lead Vocal by Joss Stone
Backing Vocals by Joss Stone & Audrey Martells
Bass, Guitars & Keys by Colin Smith
Violin by Everton Nelson & Louisa Fuller
Viola by John Metcalfe
Cello by Ian Burdge
Trumpet by Tom Walsh
Trombone by Mike Kearsey
Saxophones by Colin Smith
Strings & Brass Arranged by Colin Smith
Drums & Programming by Simon Marlin & Saison at Earthworks Studios
Recorded at Snap Studios, London
Engineered by Matt Glasbey
Mixed by Matthew Bandy & Simon Marlin at Church Studios, London
Mastered by Kevin Grainger at Wired Masters
Published by Defected Music, BMG Rights Management (UK) Limited, Freedurb Music (ASCAP) & Trevelyn Rd. Music (BMI)
P&C 2022 Glitterbox Recordings

3. The Shapeshifters featuring Ramona Renea & Fiorious ‘Slippery People’ (Extended Mix)
Written by David Byrne, Chris Frantz, Jerry Harrison & Tina Weymouth 
Produced & Arranged by Simon Marlin (The Shapeshifters)
Lead Vocals by Ramona Renea & Fiorious 
Backing Vocals by Ramona Renea 
Bass, Guitars, Keys & Piano by Colin Smith
Violin by Everton Nelson & Louisa Fuller
Viola by John Metcalfe
Cello by Ian Burdge
Trumpet by Joe Auckland
Trombone by Mike Kearsey
Saxophones by Colin Smith
Strings & Brass Arranged by Colin Smith
Drums & Programming by Simon Marlin & Saison at Earthworks Studios
Recorded at Snap Studios, London
Engineered by Matt Glasbey
Mixed by Matthew Bandy & Simon Marlin at Church Studios, London
Mastered by Kevin Grainger at Wired Masters
Published by WC Music Corp/Warner Chappell North America Limited & Index Music Inc/Warner Chappell North America Limited
P&C 2022 Glitterbox Recordings

4. The Shapeshifters featuring Billy Porter ‘Finally Ready’ (Extended Monologue Mix)
Written by Simon Marlin, Colin Smith, Audrey Martells, Billy Porter & Ramona Renea
Produced by Simon Marlin (The Shapeshifters)
Lead Vocals by Billy Porter
Backing Vocals by Audrey Martells & Billy Porter 
Guitars, Bass, Keys & Sax by Colin Smith
Trombone by Mike Kearsey 
Trumpet by Joe Auckland
Violins by Everton Nelson & Richard George
Viola by Max Baillie 
Cello by Ian Burdge 
Drums & Programming by Simon Marlin & Erik Machado
Congas by Steve Smith
Arrangement by Colin Smith & Simon Marlin
Engineered by Callum Marinho at Metropolis Studios, London
Mixed by Steve Sedgwick at Studio 13
Mastered by Kevin Grainger @ Wired Masters
Published by Defected Music, Freedurb Music (ASCAP), Trevelyn Rd. Music (BMI) & Copyright Control
P&C 2020 Glitterbox Recordings

5. The Shapeshifters featuring Teni Tinks ‘Try My Love (On For Size)’ (Club Mix)
Written by Rodney Brown & Willie Lester
Produced by Simon Marlin (The Shapeshifters)
All Vocals by Teni Tinks (Teni Abosede)
Vocal Arrangement by Simon Marlin & Colin Smith 
Keys by Simon Marlin
Strings by Sally Herbert
Bass, Piano, Rhodes & Saxophone by Colin Smith
Trumpet by Simon Elms
Trombone by Trevor Mires
Drums & Programming Erik Machado & Simon Marlin 
Percussion by Shovell
Vocals Recorded & Engineered by Colin Smith & Simon Marlin
Studio Engineer: Erik Machado  
Mixed by Lance Desardi
Published by Blue Image Music/Universal Music Publishing MGB Limited
P&C 2018 Glitterbox Recordings

6. The Shapeshifters featuring Kimberly Davis ‘Life Is A Dancefloor’ (Club Mix)
Written by Simon Marlin, Colin Smith, Anthony Moran, Mike Greenly, Ryan Shaw & Audrey Martells
Produced by Simon Marlin (The Shapeshifters)
Vocals Produced by Tony Moran for Mr. Tan Man Music
Additional Recording by Samuel Egglenton at Studio 13
Lead Vocals by Kimberly Davis
Background Vocals by Ryan Shaw, Keith Pruitt, Cindy Mizelle & Audrey Wheeler
Guitar, Bass, Keys by Colin Smith
Drums & Programming Simon Marlin & Erik Machado
Sax by Colin Smith
Trumpets by Simon Elms
Trombone by Mike Kearsey
Violins by Everton Nelson, Richard George & Max Baillie
Viola by Max Baillie
Cello by Ian Burdge
Mixed by Lance Desardi for Builders Of Paradise
Mastered by Sam Wills @ Wired Masters
Published by Defected Music, Mr. Tanman Music (ASCAP), Mike Greenly Music Inc. (ASCAP), B. Shaw Pub. Inc. (ASCAP), Freedurb Music (ASCAP) & Trevelyn Rd. Music (BMI)
P&C 2019 Glitterbox Recordings

7. The Shapeshifters featuring Aria Lyric ‘YOLO’ (Extended Mix)
Written by Simon Marlin, Colin Smith & Audrey Martells
Produced by Simon Marlin (The Shapeshifters)
Arranged by Colin Smith & Simon Marlin
All Vocals by Audrey Martells
Guitar, Bass, Piano & Rhodes by Colin Smith
Sax by Colin Smith
Trumpet by Joe Auckland
Trombone by Mike Kearsey
Violins by Everton Nelson & Louisa Fuller
Viola by John Metcalfe
Cello by Ian Burdge
Drums & Programming by Simon Marlin
Recorded at Snap Studios London
Engineered by Matt Glasbey 
Mixed & Mastered by Saison at Earthworks Studio
Published by Defected Music, Freedurb Music (ASCAP) & Trevelyn Rd. Music (BMI)
P&C 2021 Glitterbox Recordings

8. The Shapeshifters featuring Teni Tinks ‘Look, Don’t Touch’ (Extended Mix)
Written by Simon Marlin, Colin Smith, Audrey Martells & Teni Abosede
Produced & Arranged by Simon Marlin (The Shapeshifters)
All Vocals by Teni Tinks
Bass, Guitars, Keys & Piano by Colin Smith
Violin by Everton Nelson & Louisa Fuller
Viola by John Metcalfe
Cello by Ian Burdge
Trumpet by Joe Auckland
Trombone by Mike Kearsey
Saxophones by Colin Smith
Strings & Brass Arranged by Colin Smith
Drums & Programming by Simon Marlin & Saison at Earthworks Studios
Recorded at Snap Studios, London
Engineered by Matt Glasbey
Mixed by Matthew Bandy & Simon Marlin at Church Studios, London
Mastered by Kevin Grainger at Wired Masters
Published by Defected Music, Freedurb Music (ASCAP) & Trevelyn Rd. Music (BMI)
P&C 2022 Glitterbox Recordings

9. The Shapeshifters featuring Kimberly Davis ‘Love’s Been Waiting’ (Extended Mix)
Written by Simon Marlin, Colin Smith, Audrey Martells & Kimberly Davis
Produced & Arranged by Simon Marlin (The Shapeshifters)
Lead Vocal by Kimberly Davis
Backing Vocals by Kimberly Davis & Audrey Martells
Bass & Piano by Colin Smith
Keys by Colin Smith & Simon Marlin
Violin by Everton Nelson & Louisa Fuller
Viola by John Metcalfe
Cello by Ian Burdge
Trumpet by Tom Walsh
Trombone by Mike Kearsey
Saxophones by Colin Smith
Strings & Brass Arranged by Colin Smith
Drums & Programming by Simon Marlin & Saison at Earthworks Studios
Recorded at Snap Studios, London
Engineered by Matt Glasbey
Vocals Recorded by Wilkis Figueroa & Wyse Rodriguez at Itec Audio
Mixed by Matthew Bandy & Simon Marlin at Church Studios, London
Mastered by Kevin Grainger at Wired Masters
Published by Defected Music, Freedurb Music (ASCAP), Trevelyn Rd. Music (BMI) & Copyright Control
P&C 2022 Glitterbox Recordings

10. The Shapeshifters featuring Obi Franky ‘The One That Got Away’ (Extended Mix)
Written by Simon Marlin, Colin Smith & Obenewa Aboah
Produced & Arranged by Simon Marlin (The Shapeshifters)
All Vocals by Obi Franky
Bass, Guitars & Keys by Colin Smith
Violin by Everton Nelson & Louisa Fuller
Viola by John Metcalfe
Cello by Ian Burdge
Trumpet by Joe Auckland
Trombone by Mike Kearsey
Saxophones by Colin Smith
Strings & Brass Arranged by Colin Smith
Drums & Programming by Simon Marlin & Saison at Earthworks Studios
Recorded at Snap Studios, London
Engineered by Matt Glasbey
Mixed by Matthew Bandy & Simon Marlin at Church Studios, London
Mastered by Kevin Grainger at Wired Masters
Published by Defected Music & Copyright Control
P&C 2022 Glitterbox Recordings

11. The Shapeshifters featuring Adi Oasis ‘Tell Me It's Not Over’ (Extended Mix)
Written by Adeline Petricien, Jason Kriveloff, Simon Marlin & Colin Smith
Produced & Arranged by Simon Marlin (The Shapeshifters)
All Vocals by Adi Oasis
Bass, Guitars, Keys & Piano by Colin Smith
Violin by Everton Nelson & Louisa Fuller
Viola by John Metcalfe
Cello by Ian Burdge
Trumpet by Joe Auckland
Trombone by Mike Kearsey
Saxophones by Colin Smith
Strings & Brass Arranged by Colin Smith
Drums & Programming by Simon Marlin & Saison at Earthworks Studios
Recorded at Snap Studios, London
Engineered by Matt Glasbey
Mixed by Matthew Bandy & Simon Marlin at Church Studios, London
Mastered by Kevin Grainger at Wired Masters
Published by Defected Music & Secretly Canadian
P&C 2022 Glitterbox Recordings

12. The Shapeshifters featuring Obi Franky ‘Giving Me Something Better’ (Extended Mix)
Written by Simon Marlin, Audrey Martells & Colin Smith
Produced & Arranged by Simon Marlin (The Shapeshifters)
Lead Vocals by Obi Franky
Backing Vocals by Audrey Martells & Obi Franky
Bass, Guitars & Keys by Colin Smith
Violin by Everton Nelson & Louisa Fuller
Viola by John Metcalfe
Cello by Ian Burdge
Trumpet by Joe Auckland
Trombone by Mike Kearsey
Saxophones by Colin Smith
Strings & Brass Arranged by Colin Smith
Drums & Programming by Simon Marlin & Saison at Earthworks Studios
Recorded at Snap Studios, London
Engineered by Matt Glasbey
Mixed by Matthew Bandy & Simon Marlin at Church Studios, London
Mastered by Kevin Grainger at Wired Masters
Published by Defected Music, Freedurb Music (ASCAP) & Trevelyn Rd. Music (BMI)
P&C 2022 Glitterbox Recordings

13. The Shapeshifters featuring Teni Tinks ‘When Love Breaks Down'
Written by Simon Marlin, Nathaniel Warner, Teniola Abosede, Colin Smith & Erik Machado
Produced by Simon Marlin (The Shapeshifters)
All Vocals by Teniola Abosede (Teni Tinks)
Keys & Piano by Simon Marlin
Bass by Erik Machado
Hammond & Brass by Colin Smith
Strings by Simon Marlin & Erik Machado
Drums & Programming Erik Machado & Simon Marlin
Engineered by Erik Machado
Mixdown by Lance Desardi
Mastered by Kevin Grainger @ Wired Masters
Published by Musiqware, EMI Music Publishing, Defected Music & Nytime Music (BMI)
P&C 2017 Glitterbox Recordings

14. The Shapeshifters featuring Teni Tinks ‘You Ain’t Love’ (Club Mix)
Written by Simon Marlin, Colin Smith & Audrey Martells
Produced by Simon Marlin (The Shapeshifters)
Arranged by Colin Smith & Simon Marlin
Lead Vocal by Teni Tinks
Background Vocals by Audrey Martells, Michelle Ndegwa & Phebe Edwards
Piano, Rhodes, Guitar & Bass by Colin Smith
Violins by Everton Nelson & Louisa Fuller 
Viola by John Metcalfe
Cello by Ian Burdge
Brass by Colin Smith, Mike Kearsey & Joe Auckland
Drums & Programming by Saison & Simon Marlin
Recorded at Snap Studios, London
Engineered by Matt Glasbey
Mixed & Mastered by Saison at Earthworks Studio
Published by Defected Music, Freedurb Music (ASCAP) & Trevelyn Rd. Music (BMI)
P&C 2021 Glitterbox Recordings

Glitterbox Recordings

Let Loose

Second Chance feat. Kimberly Davis

Second Chance

Bring On The Rain feat. Joss Stone

Bring On The Rain

Slippery People feat. Ramona Renea & Fiorious

Slippery People

Finally Ready

Try My Love (On For Size) feat. Teni Tinks

Try My Love (On For Size)

Life Is A Dancefloor feat. Kimberly Davis

Life Is A Dancefloor

YOLO feat. Aria Lyric

YOLO

Look, Don't Touch feat. Teni Tinks

Look, Don't Touch

Love's Been Waiting feat. Kimberly Davis

Love's Been Waiting

The One That Got Away feat. Obi Franky

The One That Got Away

Tell Me It's Not Over feat. Adi Oasis

Tell Me It's Not Over

Giving Me Something Better feat. Obi Franky

Giving Me Something Better

When Love Breaks Down feat. Teni Tinks

When Love Breaks Down

You Ain't Love feat. Teni Tinks

You Ain't Love

<Naamloos>

Albumnummer

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Als je je release exclusief wilt publiceren, ga dan naar het {album} en vul het veld {exclusive} in. Het gebruik van “Exclusive” in titels kan tot irrelevante zoekresultaten leiden.

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Stop {title}

Het album {title} is verwijderd

De eerste 24 uur nadat je track online staat zijn echt cruciaal—dan kijkt het algoritme mee. Of het nu Volumo, YouTube of Instagram is, die eerste piek aan weergaven, opslaan, delen en interactie laat het platform weten: ‘Deze moet gepusht worden.’ Als je meteen je fans, vrienden en netwerk mobiliseert, maak je meer kans op een plek in algoritmische playlists of extra zichtbaarheid. Dus upload niet alleen, maar zorg dat je content klaar hebt, stuur je mailinglijst aan en wees actief in de reacties. Die eerste dag bepaalt de toon van je hele releasecyclus.

De titel bevat de naam van de artiest. Je hoeft de naam van de artiest niet toe te voegen aan de titel, dit wordt automatisch gedaan

Titel

De top 3 dingen waar pro-DJ's een hekel aan hebben bij muzieksites? We zetten ze op een rij. "Tekst overlay": De grote drie frustraties.

Tracktitel

Track {title}

Track {trackTitle} kan alleen gekocht worden als onderdeel van het album {albumTitle}.

Track {trackTitle} verwijderd uit {playlistName}

Album {title} intrekken? Daarna moet het album opnieuw worden gecontroleerd voordat het wordt gepubliceerd.

Naamloos

Het gebruik van “Volumo” in titels kan leiden tot irrelevante zoekresultaten.

Wij, Volumo, zijn de verantwoordelijke voor jouw persoonsgegevens en gebruiken cookies om inhoud en advertenties te personaliseren, om sociale mediafuncties aan te bieden en om ons verkeer te analyseren. We delen ook informatie over je gebruik van onze website met onze sociale media-, advertentie- en analysepartners die deze kunnen combineren met andere informatie die je aan hen hebt verstrekt of die ze hebben verzameld vanuit jouw gebruik van hun diensten.

Je hoeft de tracks niet te nummeren in de titel, ze worden automatisch genummerd

het is mogelijk om een klacht in te dienen bij de toezichthouder, maar neem eerst contact met ons op via {address}, wij zullen ons best doen om het probleem op te lossen.

Finally Ready (Extended Monologue Mix)

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