Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Tony Lovelesss

Gettoblaster

This music industry legend, trailblazer, and currently one of the hottest DJ’s and producers on the underground electronic music scene...Green Velvet... came into existence more than 25 years ago. In 1993 Green Velvet launched Relief Records and since that time has been a constant presence in the industry. When this very eccentric, green Mohawk wearing Green Velvet emerged, he sent shock waves throughout the House and Techno music scenes. What was even more intriguing was his background. Born in the southern suburbs of Chicago, IL he has always been an active athlete and focused student determined to follow his dream of becoming a chemical engineer. While he excelled scholastically he was socially introverted, but always committed to finding ways to share his enthusiasm for living. Even today, more than 25 years later...it is difficult to go to any electronic music festival or set and not hear music from Green Velvet/Relief Records. Crowds everywhere sing along when notable hits like: Bigger than Prince, Flash, La La Land, Lazer Beams, Live Stream, Preacher Man, Shake and Pop, Sheeple, Suga, and Voicemail, are blasting across the airwaves. Part of the history of Green Velvet and Relief Records is all about the Love.... Love of the music...Love of the fans...Love of other artists. The history of great releases on the label and artists speak to this.

Green Velvet

Supernova. Emiliano “EMIJAY” Nencioni and Giacomo “G.O.D.I.” Godi have shot to fame through their production hits and remixes on labels like their own imprints Lapsus Music, Downtown Underground and Blackboard as well as Defected, Mother Recordings, Elrow Music, 8Bit, Get Physical Music, Moon Harbour, Stereo Productions and more..

Supernova

Gene Farris

Luciano

Ronnie Spiteri

With a career spanning more than 20 years, Paco Osuna is one of the most renowned artists in the industry. His creativity, courage and relentless search for new forms of expression are some of his principal and consistent virtues when it comes to making music. On the dance floor, he is lively, intelligent and sophisticated, with a deep awareness for sound aesthetics. Every session is important to Paco and he sets out to invent and renew every time he steps onto the stage.

In 2006 he launched Mindshake, conceived as a platform for the creation and distribution of electronic music. Over the past few years, Mindshake has become one of the most important techno labels in the US and Europe. Also in 2006, Paco founded a club with a fresh concept, Club4, which has established itself as the overwhelming choice for its variety and accessibility in electronic music offerings.

Throughout his career Paco has performed at clubs, parties and festivals of great prestige. The list of events in which he has played is endless, and is one where quality is more important than quantity. From Fabric London to WOMB Tokyo, passing through Space NYC, Space Miami, Verboten New York, Watergate Berlin and Electric Brixton London. Meanwhile, Sónar, Awakenings, Dockyard, ADE, Neopop, BPM, Electric Zoo, Movement Detroit, Time Warp and Tomorrowland are some of the many festivals he has played.

From 2012 to 2014 he was resident for Richie Hawtin’s ENTER, appearing not only at Space Ibiza but also in its tour around the world. In 2015 Paco Osuna became part of Music On, joining Marco Carola in residencies at Amnesia Ibiza and the Story club in Miami, as well as the emblematic parties during BPM Mexico. In 2016 he was selected to be ambassador of PLAYdifferently Model1, a distinction also received by Loco Dice, Chris Liebing, Dubfire and, of course, Richie Hawtin. 2016 was also an important year for the Mindshake showcases, in which Paco participated alongside other label producers with tours taking in European and American stages, including events such as the Miami Music Week and ADE Amsterdam. The Mindshake showcases are both an extension of the musical and artistic vision of Paco and a family celebration, where the main goal is to create an unforgettable musical experience.

In the studio, Paco Osuna has moulded his own musical signature, coating the purest techno sounds with his characteristic features: depth, darkness and imagination, always accentuated by his creativity and innovation. Proof of that are his releases on labels such as Plus8, Minus, Mood, Spectral and Hommage, plus productions for his own platform Mindshake.
With a long career and background, Paco has picked up several prizes for his hard work on and off the stage, receiving the awards for Best Artist, Best Techno DJ, Best Producer and Best Remix from the Vicious Awards and DJ Mag Spain.

During 2016 Paco Osuna will extend the journey that has led him be the artist that he is today. This year, his residencies with Music On Ibiza and Miami will continue, while he will also still be focusing his energy on his main project Mindshake, a label that will end this year having published more than 45 works since its conception.

Tony Lovelesss

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DJ Pierre presents Acid 88, Vol. III

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