Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Munchi

Fuck bro, it's fucking amazing to see shit evolving once again. Got me feeling like a Pokemon master n shit. This variation of Moombahton / Afro that is really popular here in Holland (read; destroying clubs/charts the last 2 years) is interlinked with everything. Who would've thought that the tresillo rhythm would be accepted in this manner?! I mean nowadays even Enrique Iglesias on the radio getting pretty on Reggeton, still wanting to be a hero for the bb's and shit. But I ain't talking about that shit - it's what's happening here tho. When I made the Trap Bubbling mixtape a couple of years ago, this was exactly what I was hoping for. Trap vocals on top of them Bubbling beats. I'm smiling while fucking typing this, since on top of that rhythmwise what's "the beat" that is being used on every single one of these tracks, ain't even Bubbling. Matter of fact, this type of beat reminds me of the Reggeton beats of early 2000.

In Korsou you also had the Reggeton poppin, but the only difference was that they also had the heavy influence of Bubbling. I never really considered it to be Reggeton, since it was in it's own league. I mean, they followed the Reggeton trends and all of that, but always with their own melaza added to this rhythm. Fast forward to today and you got the Afro shit poppin. So you got those 2 sides being merged and create what is the sound that is destroying the lyfe over here. It's straight up the same shit you hear in the clubs as an actual track, defining it without overpolishing and fu-pop-cking it up.

YESSSSSSS. #thatwhisperedreallyheartfeltYESwhenyoujustgotagoodgrade

Finally rappers seem to get the sound, skipping the entire hands-high-super-glittery-buildup-with-pretty-chords-while-in-jesus-pose bullshit. Life's good. Man I remember that I was being told this bullshit years ago; "Yeah this is great - but you need to add some chords and pop vocals". For the ones who know my unreleased shit - he was talking about "Tempo Got My Back". Bro that sample was by a dude that was in jail like 10 years for the shit he rapped. You had to see the look on my face yo lol!

So in a sense this lineage has Bubbling written all over it, so what is cooler than - adding even more Bubbling to it lol! The thing is that I made this shit in a Trap Bubbling context with Antillean Reggeton and Papiamentu Rap in mind. Then in some weird turn of events recently the Moombahton / Afro rhythm popped off. Beautiful shit man. So I got the fam on the vocals to top it off and add to the lyfe. So s/o to the old, s/o to the new, s/o to Korsou producers, s/o to the Afro producers, s/o to the newskool Moombahton producers, s/o to the Korsou influences, s/o the fam. You know all is included in the track, so hope you like it! We out here <3

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