Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House

Phonk is a musical genre that originated from the underground hip-hop scene in Memphis.

Phonk

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Indoor Plants

The artists name is "Indoor Plants" + his real name is Slava + he comes from Russia + he has a few albums ready for release that hed like you to hear". This is how many informations we had about this project and nothing else. That was enough... Music would speak better than neverending biographies and indeed, it did the job. Slavas music is a proper deconstruction, a complex and very subtle combination of sounds where every single sample seems to be swinging in a fragile little world; a precarious equilibrium where the whole track could be ruined if a move is done too early or too late, too softly or too harshly. It is like an old bridge onto which a truck is driving: at any second, the whole bridge could break and the truck would drown. Or an emerging mineral in a crack where a single atom could radically change the formula, the name and the aspect of the actual mineral. Although, quickly, the listener gets used to it and would tend to trust what he is hearing, knowing the balance is in good hands and knowing this artist only seems to lose control in order to regain control on what hes doing. We havent asked him about the recording and production process. It's more funny to guess. Plus, the only thing we could find online about this artist's previous works and releases is an album called "Udacha 15" released in 2017. This might be a good introduction to Woodword and the 2 upcoming albums. But it is also obvious that Udacha 15 was more of a step during Indoor Plants' development. Well, not much doubt that this is done live, with a room open for randomness, accidents and mistakes, which makes the recordings even more impressive. It is also a music with as less "adaptation" to the standards as possible, just like the artist's aim was to show how groovy and funky you can get with absolutely no funky elements at all. One could say that Indoor Plant's approach and style is not too new after all. Indeed, there's a reminiscence of a precise british off-the-wall sampling method, a method that sometimes brought gold for the ears out of things no one would have imagined could work together. Actress, Burial and some others are good examples of that British style, maybe Actress more than others. Yet that british style was keeping a bit of a functional predisposition to it, whether made for the dancefloor or radio and most of the times keeping an excessively distorted sound. In fact, this consideration for distortion, grain, overdriven sounds was a integral part of this era and not it's actual driving force. What's different with Slava's work is perhaps that it seems to belong to nowhere, no scene, no theme. His work sounds more like the work of a genuine kid (who would have much experience with music already) having fun with sounds and things, or the exports of a very good AI production system than the work of a casual boring electronic artist. This leaves the listener a bit lost, loving what he hears but with nothing to compare what he's hearing with. Maybe this is why we loved this listening experience. It's the listener who has to adapt and fit to his sound instead of the artist who would have to adapt and fit to the listener. And so, his tracks whether you take them one by one or all together as an album are sounding like the hopeful and miraculous results of a tricky recipe. The recipes works even if it should not. It works every time and the more it goes, the more surprised the listener gets to reckon that it still works, time after time. More concretely, it's music full of movement, things falling, sounds escaping, thin spoon-like drums crawling. Something like rain falling on a giant seashell or on top of antimatter. If we can that this is more concrete... Once, elements are off-grid, then melodies sound like patches of audio samples layered on one top of another, later on polyrythm starts it's course and sediments-like drums replace groove boxes' sounds, in the end vocals and instruments get to combine for the craziest results. But it works every single time! This is daring music for real, a brilliant attempt at pushing a loop to it's limit and wait for the magic to reveal. Of course, a much recommended release and also the starter of a more experimental phase going on the label. And so even to those who're not yet sure Indoor Plants will be the future for mankind.

Kolotun

Indoor Plants – Kolotun

Indoor Plants – Ku

Indoor Plants –
Bullfinch from the Branch

Indoor Plants – Macedonma

Indoor Plants – Kolkbok

Indoor Plants – Dispute of Deers

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