Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum And Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House

Phonk is a musical genre that originated from the underground hip-hop scene in Memphis.

Phonk

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

TECHNE

TECHNE or TÈCHNĒ from Amsterdam offers us this energetic trip with a dance rhythm, pressing grooves are the scene for this TECHNO track made for dancing, the time has come to make the techne signature feel like a flagship among the percussion rhythms that blend into sharp synths. Shango (also transcribed as Sango, Xangô, Chango and in other variants)is an important orisha (god or demigod) of Yoruba mythology. It is mainly associated with the Oyo ethnic group, of which it is a mythical ancestor. It is a powerful deity, associated with fire and thunder, and also plays an important role in African-American cults derived from the Yoruba religion, such as candomblé, santeria and voodoo. Yoruba oral tradition describes Shango as king of the Oyo Empire, son of the founding king Oranian and his wife Torosi. Historically, this would place his life around the 15th century. His reign is remembered as a time of great prosperity, during which the empire grew to unify all of the Yoruba people. In the mythological and religious transposition, this prosperity is reflected in the typical magnificence of the Shango cult rituals, rich in different colors, shapes and symbols. Shango is associated with fire, lightning and thunder; he has a violent and vindictive character, hunter and looter, virile and courageous; he is an avenger, and punishes liars, thieves and criminals. For these characteristics, both in colonial and post-colonial times Shango was frequently considered as the symbol of the struggle of blacks against oppression by whites. Depending on the traditions, Shango is counted as the son of the mother goddess Yemaja or of Obatala, messenger and intermediary of the gods, who would have conceived him with Aganju, lord of the river. He had numerous wives and mistresses, among which the figures of Obá (the first wife), Oxum (the second) and Oya (the favorite wife) stand out. Shango is often represented with a weapon called Oxê, a double axe, which represents the quick and effective action of justice. In the altars in honor of Shango there is often a sculpture representing a woman with a calm and detached gaze who gives this weapon to the god-hero. In the Yoruba cult of Shango, masks with the appearance of a rams head are often employed. This element has led several researchers, including Basil Davidson[1] to postulate a link between the Yoruba culture and that of Kush, in which the ram had a fundamental symbolic role. Shangos sacred number is six. Traditional tales The conception of Shango by Obatala is the subject of a Yoruba tale. It is said that one day Aganju did not want to give Obatala permission to cross the river. The latter tried to get around the ban by transforming herself into a pleasant woman and letting herself be circumvented by Aganju, and Shango was conceived from their union. Another traditional account of Shangos childhood and youth describes his encounter with his father in the woods. Aganju did not recognize it, and tried to kill it to eat it. The orixa Oya, realizing the danger, ran to warn Obatala, who was originally the lady of lightning; Obatala transferred his power to Oya, and she saved Shango by setting fire to the forest. Shango would later become a firelord himself.[2] In syncretic religions In syncretic religions in which each traditional deity is identified with a saint of the Christian tradition, Xangô is generally identified with Saint Jerome, Saint Jude Thaddeus. In Cuba in particular it is identified with Santa Barbara. demo tobeessence@gmail.com hastag techne @technedj @techneproject #technetechno #technotechne #retteesegmenti #tobedizioni #digdis

TOBE

Chango

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Chango

TECHNE – Chango

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